Renato Marino Mazzacurati drawing

Female nude

1.600,00

The drawing depicts a standing nude female figure, portrayed frontally, in a natural pose. The body is rendered with fluid, proportionate curves, typical of a modernist style that depicts the human form in an essential way, without superfluous details.
The work can be dated between the 1930s and 1940s, a central period in Mazzacurati’s career when, influenced by the Parisian avant-garde (Rodin, Matisse, Picasso), he became a leading figure in the Roman School.
At this stage, the artist explored themes of female nudes with an artistic cipher that harmonized realism with deformed features typical of the expressionist current; representative of this period are works such as “Female Nude” of 1943 or “Red Nude” of 1936. His style evolves from early cubism toward a more committed realism, reflecting the historical context of the postwar Avant-Garde.
Mazzacurati’s signature at lower left, written in flowing, slanted cursive with an elegant, personal handwriting, is consistent with the artist’s autograph signatures, often affixed in similar positions in his drawings and paintings. The work measures inch 8 ²¹/₃₂ x 14 ¹¹/₆₄ .
The work is sold framed.

 


Materials: Paper
Period: 1930-40
Creator: Renato Marino Mazzacurati
Conditions: Very good,
Height: 20 ⁹/₃₂ with frame
Length: 14 ⁴⁹/₆₄ with frame
Technique: Pencil
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Description

Renato Marino Mazzacurati (1907-1969) a painter and sculptor, was a key figure of the Roman School, the heterogeneous artistic movement born in Rome in the 1920s-1930s. He was part of the Scuola di via Cavour group, which included artists such as Scipione, Mario Mafai and Antonietta Raphaël, opposed the classicism of twentieth-century Italy, embracing instead a tonal expressionism with cubist and realist influences.

Mazzacurati, who arrived in Rome in 1926, contributed his versatility in painting and sculpture, emphasizing the social role of art.
The Roman School was characterized by stylistic autonomy but united by a vibrant Roman identity, with urban themes, landscapes and human figures deformed to express inner tensions.
Mazzacurati infused it with his eclecticism, moving from Parisian cubism (1930s) to a post-war committed realism, as in “Fronte Nuovo delle Arti.”

 

Technical data sheet

Materials: Paper
Period: 1930-40
Creator: Renato Marino Mazzacurati
Conditions: Very good,
Height: 20 ⁹/₃₂ with frame
Length: 14 ⁴⁹/₆₄ with frame
Technique: Pencil

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