Here, Paolo Zoli in 1919, he opened the La Faience ceramic factory in Borgo Durbecco with Pietro Melandri, Dino Fabbri, and Amerigo Masotti.

Arthur Augustus Dixon was born in St. Pancras in 1872.

Luciano Ventrone the Caravaggio of the 20th century

Claudio Verna was born in Guardiagrele, in the province of Chieti, Italy, in 1937.

It was the first time I had ardently endeavoured to study from life harmonising the light and the colour of the background with the figure.

Werner Gilles (1894-1961) was born in Rheydt near Mönchengladbach.

The success of the Bongiovanni Vaccaro-workshop was a driving force for other craftsmen who, during the nineteenth Century, specialized in this particular subjects that were ‘the only singular and heartfelt manifestation of art that Caltagirone ceramics offers us in the second half of the XIX century’

At the suggestion of Gio Ponti, Luigi Fontana began to devote part of his activity to the creation of furniture and objets d'art.

The company Cavatorta was set up in Rome in 1869, and has remained a family-owned business specializing in the production of exclusive furniture

Mauro Stampatori (1948-2014) was a Roman painter and an architect.

The figure of Carlo Carrà, the journeys, the exhibitions, the encounters that changed the history of art.

Charles Napier Kennedy was distinguished by his mythological painting.

Guglielmo Pugi, a prominent Italian artist. His studio was in Florence were he worked with his sons Gino e Florenzo

He is the creator of the Supercortemaggiorefor the famous Italian gas company ENI, the "Six-legged dog," presented in a special competition in 1952.

Tito Corbella painter, who worked in illustration, famed for his postcards and advertising posters.

His first official accolade as an artist came in 1953 when he won the Faenza Prize in the 11th National Ceramic Competition.

Emilio Scanavino is one of the most prominent exponents of European Art Informel painting

He was said to have a tempestuous character and unstable temperament. Proud and resolute and made of steel like an old man from Emilio Romagna. 

"I want to realise the thing. I use wood, because I like it, but it's only a means"- Mario Ceroli

Gatti showed these works at the Futurist Exhibition, in October 1928 opened by Filippo Tommaso Marinetti in Faenza

Elisabetta Mayo D'Aloisio, a great painter and sculptor, together with her husband Carlo D'Aloisio da Vasto, formed one of the most important artistic combinations of the Italian avant-garde movements of the 20th century.

Antonio Donghi, painter of the Roman School and Magical Realism

In 1961 he was appointed professor of mosaic at the Ecole Nationale de Paris, where he remained until 1995.

Citriniti was a Calabrian painter and caricaturist founder and animator of the Mattia Preti Society,

Antonio Achilli was a Roman artist whose deep sense of humility, religiosity and greatness lets him communicate deep, universal messages to this day.

For about twenty years, Renato Guttuso's artistic and sentimental life was united with that of Countess Marta Marzotto.

An Arts Council memorial exhibition was held in 1966 and more recently a major retrospective was held at the Henry Moore Institute in Leeds in 1994.
British sculptor

He used a wide range of materials, three-dimensional objects, and organic substances like eggshells, mud, and straw to create highly unconventional, usually large-scale works.

“Schifano died young, and he dumped everything he had to say onto the canvas with irrepressible vitality," Prof. Vittorio Sgarbi

In Rome he spent time with Giulio Aristide Sartorio, Antonio Mancini, Armando Spadini, and Felice Carena, who gave him significant stimuli to help him improve.

Although he is best known for his paintings, Wifredo Lam also made sculptures, drawings, and prints.

He founded the Group of Seven, with Massimo Campigli, Giorgio de Chirico, Filippo de Pisis, René Paresce, Alberto Savinio, and Gino Severini.

Kozo Inoue Graduated in aesthetics and art history in 1960. He exhibited in Osaka in 1960, Tokyo in 1966, Paris in 1968.

In our product catalog you will find Nude of a Seated Woman signed bottom left by Francesco Galante

Enrico Crespi painted portraits of Manzoni, Francesco Hayez, Vittorio Emanuele II, Queen Margherita, Princess Maria Gonzaga, Mrs. Cavajani, and the banker Weilschott.

In Paris, he showed Mazzeppa again at the Universal Exhibition of 1889 where he was awarded a bronze medal.

“Yesterday I arrived in London,” Festa wrote, “I went through Trafalgar Square where there's the monument to Nelson. It made a huge impression on me.

The subjects of his paintings, mainly women taked in intimate domestic settings, show a society that wanted to redeem itself.

The last scene of Charlie Chaplin's movie Modern Times was inspired by Ottone Rosai's work The Engaged Couple.

In the mid-1930s, Fausto Pirandello reached a new maturity as an artist. He married the tonalism of the Roman School with an entirely personal approach to the figure

Bertina Lopes' biography testifies to the difficulties she encountered in gaining recognition for her work, particularly her abstract works.

He retained his English nationality, perhaps to protect himself against the encroachments of the Church-State, but he always remained in Rome, never going to England.

Until his death, Roland Bierge exhibited regularly in France and abroad, garnering many awards and honors over the years.

He returned to North Africa in 1925 and took over the direction of the Cairo Academy of Fine Arts.

His house was across from the Cathedral and from the window he could see seminarians, who became his young priests.

These works met with international success. His colors are especially reflective of his style though influenced by those of the Roman School.

Carlo Brancaccio specialized in landscape painting and especially sea landscapes

In 1960 in Venice,Guy Harloff was among the participants in the event L'Enterrement de la Chose de Tinguely, at the Palazzo Contarini Corfu in Venice.

He became wealthy and spent much of his fortune on tapestries, carpets, precious leathers, musical instruments, furniture, weapons, and bronzes.

He traveled all around the world on behalf of the Aquarium of Naples, gathering important collections of fauna and flora.

He took part in the 34th Venice Biennale in 1968, which was the year of great protest, with a room dedicated to him but he closed the room in support of the protests underway.  

Her apartment in Paris became a home base to passing artists. The apartment became known as Chez Moya.

In Florence, he occasionally frequented Caffè Michelangiolo, a gathering place for Macchiaioli painters. He met the artists who influenced some of his works painted en plein air.

He prefers subjects where there are special weather events, such as fog or night views illuminated by the moon or fireworks.

He was a student of Domenico Morelli, at the Academy of Fine Arts in Naples.

He was a Knight of the Order of Leopold II of Belgium, Honorary Professor of the Royal Institute of Fine Arts in Naples, and Honorary Academician of the Institute of Fine Arts of Bologna and other Academies.

He painted historical subjects, sacred subjects, landscapes, rural scenes in the Florentine area, Capri marinas, and lagoon views.

He was also a professor, a member of various academies, and an honorary member of the watercolor associations of Brussels, The Hague, and Rome. 

He created some sixty posters with advertising or political subjects. These included the famous calendar for the Cooperative Union of Milan in 1917 and many theater bills and postcards. 

"Too much of a painter to be a photographer, too much of a photographer to be a painter".

In the house where Orazio Amato was born in Anticoli Corrado, among the ruins of the cellar that was one of Arturo Martini's studios in the 1920s, was found Arturo Martini's work "The Shepherd", now preserved in the Vatican Museums.

In January 1912 he obtained a pension from the Granada Provincial Council to live in Rome and perfect his techniques and skills as a landscape painter.

In 1900 he returned permanently to Naples, where in 1902 he assumed the chair of painting at the Academy of Fine Arts, formerly held by Palizzi, remaining there until his death.