Achille Castiglioni was an ambassador of Italian design in the world and won nine Compassi d'Oro awards.

From Marino Marini, he learned to appreciate sculpture and bronze's infinite possibilities.

In 1867, he achieved his first great success at the Paris Salon, where some of his works were purchased by Napoleon III.

Angiolo Tommasi (Livorno, 1858-1923), Macchiaiolo painter influenced by Silvestro Lega. Rural and social themes, with fluid brushwork. Exhibited in Paris and painted famous portraits.

Calcagnadoro's artistic oeuvre is characterized by a prolific and uninterrupted production of easel paintings in oil and watercolor.

Even after his death, his work became a touchstone for young Roman artists and in 1930, a large exhibition was organized by Pier Maria Bardi at the Galleria di Roma.

Bertina Lopes' biography testifies to the difficulties she encountered in gaining recognition for her work, particularly her abstract works.

Cagnaccio delineates the sculptural form with clarity with an energy that verges on surreal hallucinations,  using color that is usually hard and glass-like, suggesting the Murano painters of the 15th century. 

The figure of Carlo Carrà, the journeys, the exhibitions, the encounters that changed the history of art.

The Grue family, a great dynasty of ceramic artists

Charles Napier Kennedy was distinguished by his mythological painting.

Cagli was considered the leader of the new artistic generation in Rome. He inspired a group of young artists Mirko, Afro, Ziveri, Guttuso, and Fazzini