Achille Castiglioni was an ambassador of Italian design in the world and won nine Compassi d'Oro awards.

From Marino Marini, he learned to appreciate sculpture and bronze's infinite possibilities.

He created some sixty posters with advertising or political subjects. These included the famous calendar for the Cooperative Union of Milan in 1917 and many theater bills and postcards. 

In 1867, he achieved his first great success at the Paris Salon, where some of his works were purchased by Napoleon III.

“The more I formalize a thing, the more I give it an independent life” by Angelo Mangiarotti

Calcagnadoro's artistic oeuvre is characterized by a prolific and uninterrupted production of easel paintings in oil and watercolor.

Even after his death, his work became a touchstone for young Roman artists and in 1930, a large exhibition was organized by Pier Maria Bardi at the Galleria di Roma.

He was a truly great figure at the forefront of the revival of 20th-century sculpture. 

Cagnaccio delineates the sculptural form with clarity with an energy that verges on surreal hallucinations,  using color that is usually hard and glass-like, suggesting the Murano painters of the 15th century. 

The figure of Carlo Carrà, the journeys, the exhibitions, the encounters that changed the history of art.

Carlo Nason born in Murano in 1935. He grew up spending time with master glass-workers in the family furnace.

The Grue family, a great dynasty of ceramic artists