Featured artists on Egidi MadeinItaly

Achille Perilli

Achille Perilli

He took part in the 34th Venice Biennale in 1968, which was the year of great protest, with a room dedicated to him but he closed the room in support of the protests underway.  

Adriana Pincherle

Adriana Pircherle

Adriana Pincherle was the older sister of writer Alberto Moravia. When her work debuted in 1931, she immediately drew the attention of critic Roberto Longhi.

Alberto Issel

Alberto Issel

Alberto Issel was an Italian artist and designer from Genoa, known for his work in painting and Art Nouveau furniture.

Paesaggio 1934 di Alberto Ziveri

Alberto Ziveri

Between 1929 and 1930, he stayed around Parma, where he studied Mantegna, Parmigianino, and Correggio

 Antique paintings for sale on Egidi MadeinItaly

Aristodemo Zingarini

A Roman-school painter, Zingarini was born in Rome on January 30, 1878, and died there on November 5, 1944

Assen Peikov

Assen Peikov

Bulgarian sculptor who moved to Rome in 1938. He worked in the Via Margutta studio and collaborated with Marcantoni Ceramiche

Posillipo School Marine Landscape

Attilio Pratella

His landscapes are of real sensitivity; you can find several in the museums of Rome and Budapest

Camillo Innocenti Victorious Muhammad Ali for sale on Egidi MadeinItaly

Camillo Innocenti

He returned to North Africa in 1925 and took over the direction of the Cairo Academy of Fine Arts.

Carlo Zauli Faenza

Carlo Zauli

His first official accolade as an artist came in 1953 when he won the Faenza Prize in the 11th National Ceramic Competition.

Enrico Pollastrini

Painter of Romantic temperament, known in the Italian art scene for large canvases of historical themes preserved in important Italian museums and for those of a religious character

Eva Quajotto

Eva Quajotto

In 1930, Cipriano Efisio Oppo wrote “Miss Eva Quajotto does not paint like a young lady! This is the highest praise that can be given to a young lady who paints."

Fausto Pirandello on Egidi MadeinItaly

Fausto Pirandello

In the mid-1930s, Fausto Pirandello reached a new maturity as an artist. He married the tonalism of the Roman School with an entirely personal approach to the figure