Featured artists on Egidi MadeinItaly

Achille Perilli

Achille Perilli

He took part in the 34th Venice Biennale in 1968, which was the year of great protest, with a room dedicated to him but he closed the room in support of the protests underway.  

Adriana Pincherle

Adriana Pircherle

Adriana Pincherle was the older sister of writer Alberto Moravia. When her work debuted in 1931, she immediately drew the attention of critic Roberto Longhi.

Square Glass Plate Marilyn Designed by Andy Warhol for Studio Line

Andy Warhol

Andy Warhol, the great American artist of 1960s Pop Art.

Assen Peikov

Assen Peikov

Bulgarian sculptor who moved to Rome in 1938. He worked in the Via Margutta studio and collaborated with Marcantoni Ceramiche

Posillipo School Marine Landscape

Attilio Pratella

His landscapes are of real sensitivity; you can find several in the museums of Rome and Budapest

Green Murano Hand-Blown Glass Vase by Nason

Carlo Nason

Carlo Nason born in Murano in 1935. He grew up spending time with master glass-workers in the family furnace.

Charles Napier Kennedy the Mermaid oil on painting

Charles Napier Kennedy

Charles Napier Kennedy was distinguished by his mythological painting.

Enrico Pollastrini

Painter of Romantic temperament, known in the Italian art scene for large canvases of historical themes preserved in important Italian museums and for those of a religious character

Eva Quajotto

Eva Quajotto

In 1930, Cipriano Efisio Oppo wrote “Miss Eva Quajotto does not paint like a young lady! This is the highest praise that can be given to a young lady who paints."

Fausto Pirandello on Egidi MadeinItaly

Fausto Pirandello

In the mid-1930s, Fausto Pirandello reached a new maturity as an artist. He married the tonalism of the Roman School with an entirely personal approach to the figure

petiti filiberto su Egidi MadeinItaly

Filiberto Petiti

In Rome, in 1874 Petiti met two Piedmontese artists, Vittorio Benisson and Carlo Pittara, the latter of whom was part of the Rivara School

Filippo de Pisis

"With De Pisis, one could say that painting wants to invite us to witness its own destruction."