He created some sixty posters with advertising or political subjects. These included the famous calendar for the Cooperative Union of Milan in 1917 and many theater bills and postcards. 

“The more I formalize a thing, the more I give it an independent life” by Angelo Mangiarotti

Angiolo Tommasi (Livorno, 1858-1923), Macchiaiolo painter influenced by Silvestro Lega. Rural and social themes, with fluid brushwork. Exhibited in Paris and painted famous portraits.

Even after his death, his work became a touchstone for young Roman artists and in 1930, a large exhibition was organized by Pier Maria Bardi at the Galleria di Roma.

He was a truly great figure at the forefront of the revival of 20th-century sculpture. 

Bertina Lopes' biography testifies to the difficulties she encountered in gaining recognition for her work, particularly her abstract works.

Cagnaccio delineates the sculptural form with clarity with an energy that verges on surreal hallucinations,  using color that is usually hard and glass-like, suggesting the Murano painters of the 15th century. 

The Grue family, a great dynasty of ceramic artists

Della Robbia ceramics

It was the first time I had ardently endeavoured to study from life harmonising the light and the colour of the background with the figure.

Eero Saarinen (Kirkkonummi 1910 - 1961) Great 1950s Scandinavian designer

Emilio Scanavino is one of the most prominent exponents of European Art Informel painting