Featured artists on Egidi MadeinItaly

Ico Parisi Coffee Tables

MIM Mobili Italiani Moderni

MIM (Mobili Italiani Moderni) was founded in Rome in 1957 as a company for the design, construction and sale of furniture.

Mino Maccari ritratto eseguito da Ottone Rosai

Mino Maccari

Influenced by the Strapaese movement, Maccari is known for a caustic style with grotesque figures and social themes.

Morabito Green Crocodile

Morabito

In 1958, the Maison Morabito created the Orsay bag for Marilyn Monroe to use as a travel bag.

Moritz von Schwind in vendita su Egidi MadeinItaly

Moritz Ludwig von Schwind

His works continue to captivate audiences for their ability to evoke distant, idealized worlds, making him an indispensable figure in 19th-century art history.

Moya Dyring for sale on Egidi MadeinItaly

Moya Dyring

Her apartment in Paris became a home base to passing artists. The apartment became known as Chez Moya.

Nino Caffè for sale on Egidi MadeinItaly

Nino Caffè

His house was across from the Cathedral and from the window he could see seminarians, who became his young priests.

Nino Costa

Nino Costa

In 1863 he moved to Paris where he deepened his knowledge of painters from the 1830s like Corot who admired and encouraged his work.

Carlandi Onorato

Onorato Carlandi

He was a friend of painter Enrico Coleman, with whom he traversed every corner of the countryside around Rome

Orazio Amato

Orazio Amato

In the house where Orazio Amato was born in Anticoli Corrado, among the ruins of the cellar that was one of Arturo Martini's studios in the 1920s, was found Arturo Martini's work "The Shepherd", now preserved in the Vatican Museums.

Ottone Rosai on Egidi MadeinItaly

Ottone Rosai

The last scene of Charlie Chaplin's movie Modern Times was inspired by Ottone Rosai's work The Engaged Couple.

1920s Glazed Majolica

Paolo Zoli

Here, Paolo Zoli in 1919, he opened the La Faience ceramic factory in Borgo Durbecco with Pietro Melandri, Dino Fabbri, and Amerigo Masotti.

Pasquarosa Marcelli italian Art of 20th Century

Pasquarosa Marcelli

She was “the Pasquarosa phenomenon,” as the critic and painter Cipriano Efisio Oppo called her in 1918.