He created some sixty posters with advertising or political subjects. These included the famous calendar for the Cooperative Union of Milan in 1917 and many theater bills and postcards. 

“The more I formalize a thing, the more I give it an independent life” by Angelo Mangiarotti

Angiolo Tommasi (Livorno, 1858-1923), Macchiaiolo painter influenced by Silvestro Lega. Rural and social themes, with fluid brushwork. Exhibited in Paris and painted famous portraits.

He was a truly great figure at the forefront of the revival of 20th-century sculpture. 

Bertina Lopes' biography testifies to the difficulties she encountered in gaining recognition for her work, particularly her abstract works.

The success of the Bongiovanni Vaccaro-workshop was a driving force for other craftsmen who, during the nineteenth Century, specialized in this particular subjects that were ‘the only singular and heartfelt manifestation of art that Caltagirone ceramics offers us in the second half of the XIX century’

The Grue family, a great dynasty of ceramic artists

As the founder of Analytical Painting, Claudio Verna developed an artistic approach that focuses on color, light, and visual perception.

Della Robbia ceramics

It was the first time I had ardently endeavoured to study from life harmonising the light and the colour of the background with the figure.

Andrea Tessier provides a comprehensive list of works that the artist painted both for noble Venetian patrons and foreign ones.

Together with Arturo Martini, Marino Marini and Giacomo Manzù, Francesco Messina is considered one of the greatest exponents of 20th century figurative sculpture.