{"id":129031,"date":"2026-09-16T17:45:32","date_gmt":"2026-09-16T16:45:32","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/?post_type=product&p=129031"},"modified":"2026-09-16T19:08:18","modified_gmt":"2026-09-16T18:08:18","slug":"mario-schifano-amore-nel-deserto","status":"publish","type":"product","link":"https:\/\/egidimadeinitaly.com\/fr\/negozio\/art-moderne\/tableaux-modernes-fr\/mario-schifano-amore-nel-deserto\/","title":{"rendered":"Mario Schifano \u2013 Amore nel deserto"},"content":{"rendered":"

Mario Schifano, Amore nel deserto<\/h3>\n

Amore nel deserto de Mario Schifano<\/strong>, r\u00e9alis\u00e9 vers 1985, appartient \u00e0 une p\u00e9riode de grande libert\u00e9 picturale dans la recherche de l\u2019artiste.<\/p>\n

Deux palmes monumentales se d\u00e9tachent sur un fond bleu intense. Autour d\u2019elles, des c\u0153urs rouges, roses et blancs scandent la surface. Le titre Amore nel deserto<\/em>, inscrit directement dans la composition, devient lui-m\u00eame un \u00e9l\u00e9ment visuel.<\/p>\n

Schifano ne cherche pas ici \u00e0 repr\u00e9senter la nature de mani\u00e8re descriptive. Au contraire, il transforme palmes, couleur et signes en une image imm\u00e9diate. Ainsi, le paysage devient un espace mental et pictural, construit par la couleur et le geste.<\/p>\n

La nature dans la peinture de Schifano des ann\u00e9es 1980<\/h3>\n

Au d\u00e9but des ann\u00e9es 1980, Mario Schifano revient avec une intensit\u00e9 particuli\u00e8re aux motifs naturels<\/strong>. Entre 1983 et 1984 apparaissent notamment les Giardini<\/em>, les Ninfee<\/em> et les Deserts<\/em>. \u00c0 ces recherches s\u2019ajoutent ensuite les Fiori d\u2019acqua<\/em>, les Campi di grano<\/em> et d\u2019autres images inspir\u00e9es par la v\u00e9g\u00e9tation et le paysage.<\/p>\n

En 1984, Schifano participe \u00e0 la Biennale de Venise, dirig\u00e9e par Maurizio Calvesi. Il y pr\u00e9sente notamment Chiamato K Malewi\u010d<\/em> <\/a>et Ore 22.15 \u2013 Maestro italiano del Novecento<\/em>. Durant l\u2019\u00e9t\u00e9 de la m\u00eame ann\u00e9e, Alain Cueff organise s\u00e9par\u00e9ment l\u2019exposition Naturale sconosciuto<\/em> au Palazzo delle Prigioni Vecchie de Venise.<\/p>\n

Cette p\u00e9riode t\u00e9moigne donc d\u2019une attention renouvel\u00e9e \u00e0 la nature. Dans Amore nel deserto<\/em>, celle-ci n\u2019est cependant jamais imit\u00e9e. Les palmes deviennent de grands signes picturaux, tandis que les c\u0153urs introduisent une dimension affective et presque embl\u00e9matique.<\/p>\n

Entre image s\u00e9rigraphique et geste pictural<\/h3>\n

L\u2019\u0153uvre associe une base s\u00e9rigraphique sur toile<\/strong> \u00e0 des interventions directes r\u00e9alis\u00e9es \u00e0 l\u2019acrylique et en technique mixte.<\/p>\n

Cette rencontre entre image reproduite et geste manuel est caract\u00e9ristique de l\u2019exp\u00e9rimentation constante de Schifano. Ici, toutefois, l\u2019intervention picturale prend une place essentielle. La couleur recouvre, transforme et individualise l\u2019image de d\u00e9part.<\/p>\n

Par ailleurs, le grand champ bleu<\/strong> donne \u00e0 la composition sa profondeur lumineuse. Les palmes claires \u00e9mergent avec force, alors que les c\u0153urs introduisent un rythme plus libre.<\/p>\n

Ainsi, cette peinture de Mario Schifano<\/strong> ne se r\u00e9duit ni \u00e0 la s\u00e9rigraphie ni \u00e0 la reproduction d\u2019une image. L\u2019artiste r\u00e9affirme au contraire la pr\u00e9sence physique et imm\u00e9diate de la peinture.<\/p>\n

Signature et authentification<\/h3>\n

Amore nel deserto<\/em> est sign\u00e9e \u00e0 la main par Mario Schifano<\/strong> au recto.<\/p>\n

L\u2019\u0153uvre est accompagn\u00e9e d\u2019une authentification photographique d\u00e9livr\u00e9e par la Fondazione Mario Schifano<\/strong> le 9 d\u00e9cembre 2003<\/strong>, protocole n\u00b0 00697\/03<\/strong>.<\/p>\n

Au revers de la toile figure \u00e9galement la signature manuscrite du galeriste<\/strong>, document\u00e9e photographiquement dans la fiche de l\u2019\u0153uvre.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mario Schifano, Amore nel deserto<\/em>, vers 1985<\/strong>, est une \u0153uvre unique r\u00e9alis\u00e9e en technique mixte et acrylique sur toile, sur une base s\u00e9rigraphique.<\/p>\n

De grandes palmes, des c\u0153urs color\u00e9s et un fond bleu intense composent une image d\u2019une grande force visuelle. L\u2019\u0153uvre appartient \u00e0 la saison picturale des ann\u00e9es 1980, lorsque Schifano revient avec une \u00e9nergie renouvel\u00e9e aux th\u00e8mes de la nature et du paysage.<\/p>\n

Sign\u00e9e \u00e0 la main par l\u2019artiste au recto, elle est accompagn\u00e9e d\u2019une authentification de la Fondazione Mario Schifano<\/strong>, dat\u00e9e du 9 d\u00e9cembre 2003, protocole n\u00b0 00697\/03.<\/p>\n","protected":false},"featured_media":129017,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[6377,6416],"product_tag":[],"class_list":["post-129031","product","type-product","status-publish","has-post-thumbnail","product_cat-art-moderne","product_cat-tableaux-modernes-fr","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"acf":[],"yoast_head":"\nMario Schifano \u2013 Amore nel deserto, 1985 | Egidi<\/title>\n<meta name=\"description\" content=\"Mario Schifano, Amore nel deserto, vers 1985 : \u0153uvre unique en technique mixte sur toile, sign\u00e9e et authentifi\u00e9e par la Fondazione Mario Schifano.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/egidimadeinitaly.com\/fr\/negozio\/art-moderne\/tableaux-modernes-fr\/mario-schifano-amore-nel-deserto\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mario Schifano \u2013 Amore nel deserto\" \/>\n<meta property=\"og:description\" content=\"Mario Schifano, Amore nel deserto, vers 1985, est une \u0153uvre unique r\u00e9alis\u00e9e en technique mixte et acrylique sur toile, sur une base s\u00e9rigraphique. 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