{"id":85863,"date":"2018-11-07T14:23:27","date_gmt":"2018-11-07T13:23:27","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/ecomsite\/caravage-a-rome-amis-et-ennemis\/"},"modified":"2024-12-11T14:07:40","modified_gmt":"2024-12-11T13:07:40","slug":"caravage-a-rome-amis-et-ennemis","status":"publish","type":"post","link":"https:\/\/egidimadeinitaly.com\/fr\/caravage-a-rome-amis-et-ennemis\/","title":{"rendered":"Caravage \u00e0 Rome Amis et Ennemis"},"content":{"rendered":"
\"Caravage
Mus\u00e9e Jacquemart-Andr\u00e9 \u00e0 Paris\u00a0<\/i><\/figcaption><\/figure>\n

Succ\u00e8s fulgurants et s\u00e9jours au cachot, gloire et cavales rocambolesques, <\/span>beuveries, <\/span>luxure, <\/span>rixes mortelles, \u00a0fr\u00e9quentations de nobles et de cardinaux le jour, <\/span>de <\/span>tavernes malfam\u00e9es<\/span> et<\/span> de <\/span><\/strong>tripots la nuit<\/strong>.<\/span>
\nDe quoi parlons-nous ?
\n<\/span> D’une<\/span> avant-<\/span>premi\u00e8re de Netflix sauce Dan Brown?
\n<\/span>De la prochaine saison de la s\u00e9rie TV <\/span>Le<\/span><\/em> Pape ath\u00e9e<\/em>\u00a0<\/span>?<\/span>
\nPas du tout.
\n<\/span>Nous parlons<\/span> de la vie d\u2019un certain Michelangelo Merisi da Caravaggio<\/strong><\/span> dit Le Caravage<\/span><\/strong>.<\/span><\/p>\n

\"Caravage
Judith et Holopherne par Caravage D\u00e9tail<\/i><\/figcaption><\/figure>\n

En effet, les mille m\u00e9saventures de l\u2019artiste semblent tir\u00e9es d\u2019une veine tr\u00e8s <\/span>exploit\u00e9e<\/span> aujourd’hui puisqu\u2019<\/span>elles <\/span>concernent les<\/span> principaux th\u00e8mes du<\/span> monde du<\/span> spectacle :<\/span> sang, <\/span>sexe et argent<\/span>.<\/span> <\/b>
\nLes ingr\u00e9dients<\/span> sont<\/span> toujours les <\/span>m\u00eames:<\/span> les <\/span>man\u0153uvres<\/span> de l\u2019\u00c9glise avec une v<\/span>ision caricaturale du Vatican, l<\/span>es scandales financiers, <\/span>les f\u00eates orgiaques, l<\/span>es intrigues<\/span> politiques…<\/span><\/p>\n

\"Caravage
Le Jeune Saint Jean-Baptiste au B\u00e9lier
Caravage<\/i><\/figcaption><\/figure>\n

Bref, rien de nouveau sous le soleil, \u00a0<\/span>et <\/span>c<\/span>\u2019<\/span>e<\/span>st souvent ce<\/span> que<\/span> per\u00e7oivent ceux qui ne sont <\/span>pas de Rome<\/span> lorsqu\u2019ils<\/span> arriv<\/span>e<\/span>nt dans la<\/span> Cit\u00e9 \u00e9ternelle<\/span>.<\/span>
\nVu que <\/span>rien n\u2019attire p<\/span>lus <\/span>la curiosit\u00e9<\/span> de no<\/span>s contemporains qu<\/span>\u2019<\/span>un<\/span> g\u00e9nie artistique <\/span>\u00e0 <\/span>l\u2019existence <\/span>dissolue, il n\u2019est pas \u00e9tonnant que Le Caravage soit devenu une \u00a0ic\u00f4ne de l’art dans le monde, au-del\u00e0 de son art.
\n<\/span>\u00a0<\/span><\/p>\n

Comme en t\u00e9moigne \u00e9galement l\u2019exposition pr\u00e9sent\u00e9e au Mus\u00e9e Jacquemart-Andr\u00e9<\/strong><\/a><\/span> \u00e0 Paris<\/span>, les genres artistiques du Caravage <\/span>vari<\/span>ent en fonction des sujets, des clients et <\/span>m\u00eame<\/span>, pour ne pas dire surtout, de s<\/span>es<\/span> \u00e9tat<\/span>s<\/span> d<\/span>\u2019<\/span>\u00e2me<\/span>.<\/span>
\nMais qu\u2019elle \u00e9tait<\/span>,<\/span> v\u00e9ritable<\/span>ment, l\u2019\u00e2me <\/span>du Caravage?<\/span>
\nCelle presque us\u00e9e par l\u2019introspection comme celle de son Saint Fran\u00e7ois en m\u00e9ditation<\/em>? \u00a0<\/span><\/p>\n

 <\/p>\n

\"Caravage
L’Extase de Saint Fran\u00e7ois<\/i><\/figcaption><\/figure>\n

Celle, apparemment l\u00e9g\u00e8re, d<\/span>e son<\/span> Joueur de<\/span> luth<\/span><\/em> ?<\/span><\/p>\n

\"Caravage
Le Joueur de Luth<\/i><\/figcaption><\/figure>\n

Ou celle du sang giclant \u00e0 outrance des films de <\/span>Tarantino, comme dans son<\/span> c\u00e9l\u00e9brissime Judith et Holopherne<\/em> ?<\/span><\/p>\n

\"Caravage
Caravage \u00e0 Rome
Judith et Holopherne<\/i><\/figcaption><\/figure>\n

En r\u00e9alit\u00e9, l\u2019artiste exprime tous<\/span> ces <\/span>extr\u00eames<\/span>.<\/span>
\nComme chacun sait, l\u2019<\/b><\/span>\u0153uvre<\/span> du Caravage a<\/span> e<\/span>u un retentissement consid\u00e9rable sur le baroque europ\u00e9en.<\/span>
\n<\/b>Mais c<\/span>e style porte encore les accents d<\/span>\u2019<\/span>une<\/span> mauvaise r\u00e9putation<\/span>, qu<\/span>i est due <\/span>aux pr\u00e9jug\u00e9s n\u00e9gatifs qui, \u00e0 partir des rationalistes et des n\u00e9oclassiques du XVIII<\/span>e<\/span> si\u00e8cle, arrive<\/span>nt<\/span> \u00e0 la premi\u00e8re moiti\u00e9 du XX<\/span>e<\/span> si\u00e8cle, <\/span>jusqu\u2019aux <\/span>deux <\/span>g\u00e9ants de l\u2019<\/span>histoire de l\u2019art<\/span>, <\/span>Bernard Berenson <\/span><\/strong>(BB<\/span> pour les intimes…) et<\/span> Roberto Longhi<\/span><\/strong><\/a>.<\/span><\/p>\n

\"Ecce
Ecce Homo du Caravage<\/i><\/figcaption><\/figure>\n

En simplifiant, pour eux les p<\/span>rimiti<\/span>fs<\/span>, <\/span>l<\/span>a Renaissance e<\/span>t<\/span> l<\/span>e<\/span> X<\/span>VI<\/span>e<\/span> s<\/span>i\u00e8cle v\u00e9nitien r<\/span>ep<\/span>r<\/span>\u00e9<\/span>senta<\/span>ie<\/span>n<\/span>t <\/span>l<\/span>e<\/span> v\u00e9ritable\u00a0<\/span>a<\/span>rt italien.<\/span>
\nLe reste n\u2019\u00e9tait qu\u2019une production, disons de s\u00e9rie B, y compris le baroque<\/b>.<\/span>
\nPour donner une id\u00e9e de <\/span>la port\u00e9e <\/span>du ph\u00e9nom\u00e8ne, <\/span>encore <\/span>aujourd\u2019hui,<\/span> en France, <\/span>on emploie l\u2018adjectif <\/span>\u00ab <\/span>baroque <\/span>\u00bb<\/span> pour d\u00e9crire de fa\u00e7on p\u00e9jorative un objet ou un d\u00e9cor trop charg\u00e9.<\/span>
\nIl est int\u00e9ressant de se pencher sur les synonymes du terme <\/span>\u00ab <\/span>baroque <\/span>\u00bb <\/span>\u00e9num<\/span>\u00e9r\u00e9s sur le site synonymes.com: \u00a0<\/span>bizarre \u00a0excentrique, abracadabrant, <\/span>irr\u00e9gulier<\/span>, saugrenu, choquant, <\/span>biscornu<\/span>, bizarro\u00efde, d\u00e9routant, fantasmagorique, folklorique, in\u00e9narrable, <\/span>et pour finir, le familier <\/span>kitsch <\/span>et l\u2019inattendu<\/span> zinzin.<\/span>
\nCette th\u00e8se, que nous pourrions qualifier d\u2019<\/span>anc\u00eatre<\/span> des <\/span>fake news<\/span>, est facile \u00e0 d\u00e9monter si l\u2019on observe les deux <\/span>chefs-d\u2019\u0153uvre<\/span> de <\/span>Bartolomeo Cavarozzi<\/span><\/strong>,<\/span> pr\u00e9sent\u00e9s <\/span>l\u2019un \u00e0 <\/span>c\u00f4t<\/span>\u00e9 de<\/span> l\u2019autre<\/span> ; l<\/span>e<\/span> pr<\/span>e<\/span>m<\/span>ier est<\/span> la somptueuse<\/span> et<\/span> lumineuse<\/span> \u00ab Nature morte \u00e0 la corbeille de fruits<\/em> \u00bb<\/span>,<\/span>
\n<\/span><\/p>\n

\"Caravage
La Douleur d\u2019Aminte et Nature Morte \u00e0 la Corbeille de Fruits<\/i><\/figcaption><\/figure>\n

et<\/span> l<\/span>\u2019<\/span>a<\/span>u<\/span>t<\/span>re,<\/span> intitul\u00e9 <\/span>\u00ab <\/span>La douleur d\u2019Aminte<\/span><\/em> \u00bb<\/span>, <\/span>qui \u00e9voque<\/span> presque <\/span>une sc\u00e8ne de <\/span>r\u00eave<\/span>, <\/span>vaguement<\/span> romantique.<\/span><\/p>\n

\"Bartolomeo
La Douleur d\u2019Aminte par
Bartolomeo Cavarozzi<\/i><\/figcaption><\/figure>\n

Je dois dire que dans l\u2019ensemble cette exposition ne m’a pas <\/span>plu<\/span>, elle ne m\u2019a pas <\/span>\u00e9mu<\/span>.<\/span> Tout d\u2019abord, malgr\u00e9 l\u2019excellente organisation et l\u2019\u00e9chelonnement, les salles du mus\u00e9e \u00e9taient bond\u00e9es, de sorte qu\u2019il \u00e9tait impossible de contempler une <\/span>\u0153uvre<\/span> en toute s\u00e9r\u00e9nit\u00e9<\/span>.<\/span><\/p>\n

\"Judith
Foule Regardant
Judith et Holopherne<\/i><\/figcaption><\/figure>\n

Ensuite, en ce qui concerne le niveau <\/span>g\u00e9n\u00e9ral <\/span>de l\u2019exposition, je laisse la parole <\/span>au journaliste Vincent Noce<\/span>, expert<\/span> d\u2019art et de d\u00e9fense du patrimoine:<\/span><\/p>\n

\u00ab\u00a0L<\/span>\u2019exposition fait un clin<\/span> d<\/span>\u2019\u0153il a<\/span>u<\/span> grand public<\/span> et ne se soucie pas de <\/span><\/em>la recherche\u00a0\u00bb<\/em>.<\/span><\/p><\/blockquote>\n

\"Caravage
Caravage \u00e0 Rome
Plein de Monde<\/i><\/figcaption><\/figure>\n

Naturellement,<\/span> il fait allusion aux rumeurs sur l\u2019attribution, <\/b><\/span>plut\u00f4t<\/span> controvers\u00e9e, de certaines \u0153uvres au Caravage.<\/span>\u00a0<\/b>
\nPar ailleurs<\/span>, comme beaucoup tableaux avaient \u00e9t\u00e9 <\/span>pr\u00eat\u00e9s<\/span> par ma ville, je les connaissais<\/span> d\u00e9j\u00e0<\/span>.
\n<\/span>\u00a0\u00c9videmment<\/span>,<\/span> avoir d\u00e9j\u00e0 vu un tableau n<\/span>e signifie <\/span>rien<\/span>.
\n\u00c0 <\/span>l’instar d’une belle musique que l\u2019on peut \u00e9couter <\/span>tant<\/span> de fois, on peut <\/span>voir et <\/span>revoir un beau tableau en \u00e9prouvant chaque fois la m\u00eame \u00e9motion.<\/span><\/p>\n

\"Le
Le Jeune Saint Jean-Baptiste au B\u00e9lier<\/i><\/figcaption><\/figure>\n

Ce qui m’attriste beaucoup en r\u00e9alit\u00e9, c\u2019est de voir autant de chefs-d’\u0153uvre quitter leur emplacement <\/span>initial<\/span>.<\/span>
\nEt \u00e0 propos d\u2019emplacement, \u00a0<\/span>comme d\u2019 habitude, <\/span>je ne peux que citer Federico Zeri<\/strong>.<\/span> Il <\/span>avait \u00e9crit<\/span> qu\u2019au fil des ans le mus\u00e9e Jacquemart-Andr\u00e9<\/strong> avait \u00e9t\u00e9 totalement r\u00e9volutionn\u00e9 par <\/span>d<\/span>es transformations et<\/span> par<\/span> les nouveaux emplacements <\/span>attribu\u00e9s aux<\/span> nombreuses <\/span>\u0153uvres<\/span> qu\u2019il abrite.<\/span><\/p>\n

\"Giuseppe
Giuseppe Cesari dit le Cavalier d’Arpin<\/i><\/figcaption><\/figure>\n

Le probl\u00e8me<\/span> est que les derni\u00e8res volont\u00e9s<\/span> d<\/span>u<\/span> couple<\/span> de propri\u00e9taires<\/span>, qui ava<\/span>ient express\u00e9ment demand\u00e9\u00a0<\/span>que rien ne soit chang\u00e9 dans leu<\/span>r h\u00f4tel particulier<\/span>\u00a0du<\/span> boulevard <\/span>Haussmann<\/span> \u00e0<\/span> Paris<\/span>, n\u2019ont absolument pas \u00e9t\u00e9 respect\u00e9es.<\/span>
\nNous savons que<\/span> Federico Zeri s\u2019est<\/span> toujours<\/span><\/strong> battu<\/strong> pour que, dans la mesure du possible, les collections et les demeures historiques soient laiss\u00e9es comme les avaient con\u00e7ues et organis<\/b><\/span>\u00e9<\/span>e<\/span>s<\/span><\/b> le collectionneur<\/b> qui les<\/span> a l\u00e9gu\u00e9es<\/span>.<\/span>
\nQui sait ce qu\u2019il <\/span>penserait<\/span>\u00a0des conditions de sa villa \u00e0 Mentana, de ce qu\u2019elle est devenue, malgr\u00e9 la volont\u00e9 exprim\u00e9e, et <\/span>de <\/span>ce qu\u2019elle deviendra.<\/span><\/p>\n

Caravage \u00e0 Rome\u00a0 –\u00a0 <\/strong>Amis et ennemis<\/strong><\/h2>\n

Mus\u00e9e Jacquemart Andr\u00e9<\/h4>\n

158 Boulevard Haussmann<\/h4>\n

75008 Paris<\/h4>\n

Du 21 septembre au 28 janvier 2019<\/h4>\n","protected":false},"excerpt":{"rendered":"

Succ\u00e8s fulgurants et s\u00e9jours au cachot, gloire et cavales rocambolesques, beuveries, luxure, rixes mortelles, \u00a0fr\u00e9quentations de nobles et de cardinaux […]<\/p>\n","protected":false},"author":9,"featured_media":86125,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1449],"tags":[5754,2541,4625],"class_list":["post-85863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine-fr","tag-baroque-fr","tag-federico-zeri-fr","tag-renaissance"],"acf":[],"yoast_head":"\nCaravage \u00e0 Rome Amis et Ennemis - Egidi MadeinItaly<\/title>\n<meta name=\"description\" content=\"La carri\u00e8re romaine de Caravage dans ces jours au Mus\u00e9e Jacquemart Andr\u00e9 \u00e0 Paris. 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