{"id":126458,"date":"2025-11-02T15:51:58","date_gmt":"2025-11-02T14:51:58","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/galleria-lobelisco-roma\/"},"modified":"2026-09-27T18:28:29","modified_gmt":"2026-09-27T17:28:29","slug":"galleria-lobelisco-roma","status":"publish","type":"post","link":"https:\/\/egidimadeinitaly.com\/fr\/galleria-lobelisco-roma\/","title":{"rendered":"Galleria L\u2019Obelisco \u00e0 Rome"},"content":{"rendered":"

La Galleria L\u2019Obelisco<\/strong> occupe une place importante dans l\u2019histoire de l\u2019art romain d\u2019apr\u00e8s-guerre. Fond\u00e9e en 1946 par Irene Brin et Gaspero del Corso, elle accueille artistes et collectionneurs au 146, via Sistina. Dans ses salles, la peinture dialogue avec la sculpture, la photographie et la mode. La galerie devient ainsi un lieu de rencontres ouvert aux recherches italiennes, europ\u00e9ennes et am\u00e9ricaines.<\/p>\n

\"Entr\u00e9e
L\u2019entr\u00e9e et une salle de la Galleria L\u2019Obelisco, via Sistina \u00e0 Rome. Cr\u00e9dit photographique : GNAMC,Rome.<\/figcaption><\/figure>\n

Irene Brin et Gaspero del Corso<\/h2>\n

\u00c9crivaine et journaliste de mode, Irene Brin<\/strong>, n\u00e9e Maria Vittoria Rossi, porte un regard curieux sur les arts et la soci\u00e9t\u00e9. Avec son mari, Gaspero del Corso, elle donne \u00e0 L\u2019Obelisco une identit\u00e9 singuli\u00e8re, attentive aux jeunes talents comme aux artistes d\u00e9j\u00e0 reconnus.<\/p>\n

Le couple d\u00e9veloppe des relations au-del\u00e0 des fronti\u00e8res italiennes. Cette ouverture se traduit par des expositions, des publications et la promotion d\u2019artistes italiens \u00e0 l\u2019\u00e9tranger. L\u2019activit\u00e9 de la galerie se prolonge ainsi bien au-del\u00e0 de ses salles romaines.<\/p>\n

\"Irene
Irene Brin et Gaspero del Corso, fondateurs de la Galleria L\u2019Obelisco \u00e0 Rome<\/figcaption><\/figure>\n

Une ouverture internationale<\/h2>\n

Le surr\u00e9alisme et l\u2019imaginaire fantastique occupent une place importante dans la programmation de la Galleria L\u2019Obelisco<\/strong>. Le r\u00eave, la m\u00e9moire et les univers invent\u00e9s y trouvent un espace de dialogue avec d\u2019autres formes de cr\u00e9ation.<\/p>\n

Au fil des ann\u00e9es, la galerie expose notamment Eug\u00e8ne Berman<\/strong>, Roberto Matta, Saul Steinberg et Alexander Calder. La diversit\u00e9 de ces parcours t\u00e9moigne de son ouverture \u00e0 des sensibilit\u00e9s tr\u00e8s diff\u00e9rentes. Elle contribue aussi aux \u00e9changes entre Rome, l\u2019Europe et les \u00c9tats-Unis.<\/p>\n

\u2192 D\u00e9couvrir Eug\u00e8ne Berman : peinture, th\u00e9\u00e2tre et classicisme moderne<\/a><\/p>\n

\"Portrait
Irene Brin, \u00e9crivaine, journaliste de mode et cofondatrice de la Galleria L\u2019Obelisco<\/figcaption><\/figure>\n

Les grandes expositions de la Galleria L\u2019Obelisco<\/h2>\n

Les d\u00e9buts : Morandi, Maselli et Dal\u00ed<\/h3>\n

Le 23 novembre 1946<\/strong>, une exposition de Giorgio Morandi<\/strong> inaugure la galerie. Ce premier choix inscrit L\u2019Obelisco dans le dialogue avec l\u2019une des voix les plus singuli\u00e8res de la peinture italienne.<\/p>\n

En 1948<\/strong>, Titina Maselli<\/strong> y pr\u00e9sente sa premi\u00e8re exposition personnelle. Ses sujets puis\u00e9s dans la vie quotidienne et le paysage urbain t\u00e9moignent d\u2019un regard neuf sur le monde contemporain. En novembre de la m\u00eame ann\u00e9e, une exposition est consacr\u00e9e \u00e0 Salvador Dal\u00ed<\/strong>.<\/p>\n

\"Couverture
Titina Maselli parmi ses peintures, sur la couverture d\u2019une publication consacr\u00e9e \u00e0 l\u2019artiste.<\/figcaption><\/figure>\n

Les ann\u00e9es 1950 : Burri et Rauschenberg<\/h3>\n

En 1952<\/strong>, Alberto Burri<\/strong> pr\u00e9sente Neri e Muffe<\/em>, une \u00e9tape importante de ses recherches sur la mati\u00e8re et la surface picturale.<\/p>\n

Du 3 au 10 mars 1953, Robert Rauschenberg<\/strong> y tient sa premi\u00e8re exposition personnelle en Europe, Scatole e feticci personali<\/em><\/strong>. Ses petites constructions assemblent des objets et des mat\u00e9riaux trouv\u00e9s. Avec elles, les gestes ordinaires de recueillir et d\u2019associer ouvrent de nouvelles possibilit\u00e9s \u00e0 la cr\u00e9ation.<\/p>\n

Ces deux expositions de L\u2019Obelisco montrent l\u2019attention port\u00e9e \u00e0 des d\u00e9marches qui renouvellent les moyens d\u2019expression artistique.<\/p>\n

Les ann\u00e9es 1960 et 1970 : mouvement, perception et vid\u00e9o<\/h3>\n

En avril 1962<\/strong>, Corrado Cagli<\/strong> expose ses sculptures \u00e0 la galerie. Puis, en 1965, Perpetuum mobile<\/em> r\u00e9unit des artistes qui explorent le mouvement et la perception visuelle, parmi lesquels Alberto Biasi, Bruno Munari et Alexander Calder.<\/p>\n

L\u2019exposition collective Bianco+Bianco<\/em>, organis\u00e9e en 1966, rassemble notamment des \u0153uvres de Lucio Fontana, Piero Manzoni et Mario Schifano. En 1968, un cycle d\u2019expositions consacr\u00e9 \u00e0 Giacomo Balla<\/strong> \u00e9claire plusieurs aspects de son travail.<\/p>\n

Enfin, Videobelisco<\/strong>, lanc\u00e9 en 1971, prolonge cet int\u00e9r\u00eat pour l\u2019exp\u00e9rimentation. Cette initiative compte parmi les premi\u00e8res exp\u00e9riences de production et de diffusion de l\u2019art vid\u00e9o en Italie.<\/p>\n

Les archives de L\u2019Obelisco et la fermeture de la galerie<\/h2>\n

Apr\u00e8s la mort d\u2019Irene Brin en 1969<\/strong>, Gaspero del Corso poursuit le travail entrepris avec elle. La Galleria L\u2019Obelisco <\/strong>ferme ses portes en 1981.<\/p>\n

Une part importante des archives de L\u2019Obelisco est aujourd\u2019hui conserv\u00e9e \u00e0 la Galleria Nazionale d\u2019Arte Moderna e Contemporanea de Rome<\/strong>. Le Fondo Irene Brin, Gaspero Del Corso e L\u2019Obelisco<\/em> rassemble notamment correspondances, publications d\u2019expositions, documents administratifs, photographies et papiers personnels.<\/p>\n

Ces archives permettent de retrouver les artistes, les \u00e9changes et le travail quotidien qui ont fa\u00e7onn\u00e9 l\u2019histoire de la galerie.<\/p>\n

D\u00e9couvrir l\u2019art moderne sur Egidi MadeinItaly<\/h2>\n

L\u2019histoire de l\u2019art romain d\u2019apr\u00e8s-guerre se d\u00e9couvre aussi \u00e0 travers les \u0153uvres. Pour prolonger cette visite, explorez notre s\u00e9lection d\u2019art moderne. Elle comprend actuellement une \u0153uvre de Corrado Cagli<\/strong>, artiste dont les sculptures furent pr\u00e9sent\u00e9es \u00e0 L\u2019Obelisco en 1962.<\/p>\n

\u2192 D\u00e9couvrir l\u2019\u0153uvre de Corrado Cagli disponible \u00e0 la vente<\/a><\/p>\n

\u2192 Parcourir notre s\u00e9lection d\u2019\u0153uvres d\u2019art moderne en vente<\/a><\/p>\n

<\/h2>\n","protected":false},"excerpt":{"rendered":"

La Galleria L\u2019Obelisco occupe une place importante dans l\u2019histoire de l\u2019art romain d\u2019apr\u00e8s-guerre. Fond\u00e9e en 1946 par Irene Brin et […]<\/p>\n","protected":false},"author":9,"featured_media":125720,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1449],"tags":[6727],"class_list":["post-126458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine-fr","tag-galeries-historiques-art-moderne-rome"],"acf":[],"yoast_head":"\nGalleria L\u2019Obelisco \u00e0 Rome | Egidi MadeinItaly<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez la Galleria L\u2019Obelisco \u00e0 Rome : Irene Brin, les expositions phares et les \u00e9changes artistiques internationaux de 1946 \u00e0 1981.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/egidimadeinitaly.com\/fr\/galleria-lobelisco-roma\/\" \/>\n<meta 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