{"id":108636,"date":"2022-04-04T08:58:42","date_gmt":"2022-04-04T07:58:42","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/ecomsite\/?p=108636"},"modified":"2024-11-02T15:13:37","modified_gmt":"2024-11-02T14:13:37","slug":"le-bernin-le-baroque-et-le-papier-mache","status":"publish","type":"post","link":"https:\/\/egidimadeinitaly.com\/fr\/le-bernin-le-baroque-et-le-papier-mache\/","title":{"rendered":"Le Bernin, le Baroque et le Papier m\u00e2che"},"content":{"rendered":"
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Raffaele Casciaro <\/strong><\/h2>\n

L’historien de l’art nous dit en effet que<\/p>\n

\u00ab \u2026 dans la Rome du Bernin,\u00a0 des sc\u00e9nographies colossales seront r\u00e9alis\u00e9s en bois et en papier m\u00e2ch\u00e9, ainsi que des machines grandioses comme le char de carnaval, qui a \u00e9t\u00e9 perdu mais qui est document\u00e9, r\u00e9alis\u00e9 par Le Bernin lui-m\u00eame sur commande d\u2019Agostino Chigi, et (\u2026 ) surtout \u00e0 Florence, o\u00f9 les ateliers polyvalents de l\u2019\u00e9poque, de Lorenzo Ghiberti<\/strong>\u00a0\u00e0\u00a0Andrea Verrocchio<\/strong>, sans oublier la figure cruciale de\u00a0Donatello<\/strong>, firent des exp\u00e9riences en utilisant presque tous les mat\u00e9riaux disponibles\u2026\u00a0les sculpteurs de la g\u00e9n\u00e9ration suivante utilis\u00e8rent fr\u00e9quemment la papier m\u00e2ch\u00e9<\/strong>\u00a0\u00bb.<\/em><\/p><\/blockquote>\n

Et c\u2019est pr\u00e9cis\u00e9ment \u00e0 cette tradition et cette \u00e9cole florentine que nous devons nos deux statues<\/a>.<\/p>\n

 <\/p>\n

Carlo Stefano Salerno<\/strong><\/h2>\n

Quant \u00e0 la machine fabriqu\u00e9e par Gian Lorenzo Bernini, dit Le Bernin, l\u2019historien pr\u00e9cise:<\/p>\n

\u00ab il ne reste aucun t\u00e9moignage de cette production d\u2019\u0153uvres qui, sauf rares exceptions, \u00e9taient imm\u00e9diatement d\u00e9truites. Parmi celles qui concernent des\u00a0apparats en papier m\u00e2ch\u00e9<\/strong>\u00a0(…) nous trouvons le char de carnaval du Bernin, r\u00e9alis\u00e9 en 1658 pour Agostino Chigi, sur lequel des informations relatives aux paiements ont \u00e9t\u00e9 conserv\u00e9es.\u00a0<\/em>Nous pouvons d\u00e9duire de ces documents que ce char d\u00e9coratif en papier m\u00e2ch\u00e9 dor\u00e9 et argent\u00e9 comprenait \u00ab\u00a0quatre grands putti en papier m\u00e2ch\u00e9 couleur chair aux tignasses naturelles et orn\u00e9s de guirlandes de roses en soie, de masques et autre\u00a0<\/em>\u00bb\u00a0<\/em>ainsi que \u00ab\u00a0huit festons en papier m\u00e2ch\u00e9 dor\u00e9\u00a0<\/em>\u00bb ou\u00a0<\/em>\u00ab (\u2026) en papier m\u00e2ch\u00e9 avec autant de turbans pour les Maures<\/em>. \u00bb<\/p><\/blockquote>\n

En 1687, un autre artiste influenc\u00e9 par Le Bernin,\u00a0Giovanni Paolo Schor<\/strong>, re\u00e7oit des paiements concernant des lanternes destin\u00e9es \u00e0 la procession de San Marcello ; le sculpteur r\u00e9alisa les croquis, puis le papier m\u00e2ch\u00e9. \u00bb<\/p>\n

Que signifie tout cela ? Cela signifie que les ateliers, m\u00eame ceux de tr\u00e8s grands artistes, produisaient \u00e9galement des \u0153uvres en papier m\u00e2ch\u00e9, ce qui explique la qualit\u00e9 quasi mus\u00e9ale de nos deux statues.<\/p>\n

Carlo Stefano Salerno pr\u00e9cise \u00e9galement que le papier m\u00e2ch\u00e9 a \u00e9t\u00e9 utilis\u00e9<\/p>\n

\u00ab \u2026 par Le Bernin pour ex\u00e9cuter \u00a0des mod\u00e8les\u2026 pour deux des quatre statues d\u2019anges r\u00e9alis\u00e9es pour le\u00a0Baldaquin de Saint Pierre<\/strong>, ce qui est document\u00e9 par un autre solde vers\u00e9 au Bernin pour les mod\u00e8les en argile, et \u00ab pour les anges en papier m\u00e2ch\u00e9 r\u00e9alis\u00e9s pour le dit autel \u00bb.<\/p><\/blockquote>\n

Donc, sur les quatre anges, deux furent r\u00e9alis\u00e9s en terre crue, \u2026 et les deux autres selon la technique du papier m\u00e2ch\u00e9<\/strong>\u2026 Par cons\u00e9quent, ce type de proc\u00e9dure d\u00e9crit les relations entre le sculpteur responsable de la conception et les formateurs et les fabricants de papier m\u00e2ch\u00e9 qui traduisent ce projet en \u0153uvres finies<\/strong>.<\/p>\n

En ce qui concerne le proc\u00e9d\u00e9 technique, Salerno poursuit :<\/p>\n

\u00ab\u00a0On part d\u2019une structure interne sur laquelle les volumes sont construits petit \u00e0 petit et sur lesquels chaque partie, r\u00e9alis\u00e9e avec un moule, est appliqu\u00e9e, comme le visage, les mains et les pieds ; des feuilles de papier sont ensuite appliqu\u00e9es par \u00e9tapes successives, puis model\u00e9es en cours d\u2019ex\u00e9cution, de mani\u00e8re libre, produisant ainsi, non pas des exemplaires en s\u00e9rie, mais des objets toujours diff\u00e9rents les uns des autres<\/em>. \u00bb<\/p><\/blockquote>\n

Paolo Biscottini<\/strong><\/h2>\n

Comme a \u00e9crit le Directeur du Museo Diocesano de Milan<\/p>\n

\u00ab \u2026 si au d\u00e9part nous \u00e9tions tous convaincus que la sculpture en papier m\u00e2ch\u00e9 avait, dans certains cas, sa propre valeur artistique, ind\u00e9pendante, nous avons constat\u00e9 exactement le contraire au cours des travaux : \u00e0 l\u2019exception de quelques cas d\u2019artisanat noble et authentique, (\u2026) il est l\u00e9gitime, et m\u00eame n\u00e9cessaire, de consid\u00e9rer le papier m\u00e2ch\u00e9 comme un vrai genre de<\/strong>\u00a0sculpture, avec des r\u00e9sultats excellents<\/strong>\u00a0dans les \u0153uvres d\u2019artistes certainement plus connus pour l\u2019utilisation d\u2019autres mat\u00e9riaux<\/em>.\u00bb<\/p><\/blockquote>\n

Dans ce cas, Paolo Biscottini se r\u00e9f\u00e8re certainement aux \u0153uvres en papier m\u00e2ch\u00e9 r\u00e9alis\u00e9es par de grands artistes, sculpteurs de marbre, tels que Jacopo Sansovino,<\/strong>\u00a0Donatello et Lorenzo Ghiberti<\/strong>\u00a0en ce qui concerne l\u2019\u00e9poque de la Renaissance. Quant \u00e0 l\u2019\u00e9poque baroque en revanche, nous pouvons citer\u00a0Le Bernin et Alessandro Algardi<\/strong>, dont deux des grandes sculptures en papier m\u00e2ch\u00e9 sont conserv\u00e9es au\u00a0Museo civico di Palazzo della Penna<\/em>\u00a0\u00e0 P\u00e9rouse, dans la collection Martinelli.<\/p>\n

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<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Raffaele Casciaro L’historien de l’art nous dit en effet que \u00ab \u2026 dans la Rome du Bernin,\u00a0 des sc\u00e9nographies colossales […]<\/p>\n","protected":false},"author":9,"featured_media":105664,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1449],"tags":[],"class_list":["post-108636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine-fr"],"acf":[],"yoast_head":"\nLe Bernin, le Baroque et le Papier m\u00e2che - Egidi MadeinItaly<\/title>\n<meta name=\"description\" content=\"Le Bernin pour le\u00a0Baldaquin de Saint Pierre \u00e0 Rome r\u00e9alisera deux anges en papier m\u00e2ch\u00e9 Venez lire plus sur Egidi MadeinItaly\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/egidimadeinitaly.com\/fr\/le-bernin-le-baroque-et-le-papier-mache\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Bernin, le Baroque et le Papier m\u00e2che\" \/>\n<meta property=\"og:description\" content=\"Raffaele Casciaro L'historien de l'art nous dit en effet que \u00ab \u2026 dans la Rome du Bernin,\u00a0 des sc\u00e9nographies colossales seront r\u00e9alis\u00e9s en bois et en\" \/>\n<meta property=\"og:url\" content=\"https:\/\/egidimadeinitaly.com\/fr\/le-bernin-le-baroque-et-le-papier-mache\/\" \/>\n<meta property=\"og:site_name\" content=\"Egidi MadeinItaly\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/egidimadeinitaly\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-04-04T07:58:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-02T14:13:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/egidimadeinitaly.com\/wp-content\/uploads\/2021\/11\/2021-11-11-EgidimadeinItaly-19-3-scaled-e1675412536573.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sabrina Egidi\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/egidimadeinitaly.com\\\/fr\\\/le-bernin-le-baroque-et-le-papier-mache\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/egidimadeinitaly.com\\\/fr\\\/le-bernin-le-baroque-et-le-papier-mache\\\/\"},\"author\":{\"name\":\"Sabrina Egidi\",\"@id\":\"https:\\\/\\\/egidimadeinitaly.com\\\/fr\\\/#\\\/schema\\\/person\\\/6723cc7bd1bded901c15c844a8ad09ac\"},\"headline\":\"Le Bernin, le Baroque et le Papier m\u00e2che\",\"datePublished\":\"2022-04-04T07:58:42+00:00\",\"dateModified\":\"2024-11-02T14:13:37+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/egidimadeinitaly.com\\\/fr\\\/le-bernin-le-baroque-et-le-papier-mache\\\/\"},\"wordCount\":754,\"image\":{\"@id\":\"https:\\\/\\\/egidimadeinitaly.com\\\/fr\\\/le-bernin-le-baroque-et-le-papier-mache\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/egidimadeinitaly.com\\\/v25\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/2021-11-11-EgidimadeinItaly-19-3-scaled-e1675412536573.jpg\",\"articleSection\":[\"Magazine\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/egidimadeinitaly.com\\\/fr\\\/le-bernin-le-baroque-et-le-papier-mache\\\/\",\"url\":\"https:\\\/\\\/egidimadeinitaly.com\\\/fr\\\/le-bernin-le-baroque-et-le-papier-mache\\\/\",\"name\":\"Le Bernin, le Baroque et le Papier m\u00e2che - 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