{"id":100336,"date":"2021-06-18T18:04:02","date_gmt":"2021-06-18T17:04:02","guid":{"rendered":"http:\/\/egidimadeinitaly.demonewlogic.it\/?p=100336"},"modified":"2025-10-30T15:36:35","modified_gmt":"2025-10-30T14:36:35","slug":"luciano-ventrone-le-caravage-du-xxe-siecle","status":"publish","type":"post","link":"https:\/\/egidimadeinitaly.com\/fr\/luciano-ventrone-le-caravage-du-xxe-siecle\/","title":{"rendered":"Luciano Ventrone Le Caravage du XXe si\u00e8cle"},"content":{"rendered":"

\u00ab L\u2019artiste semble chercher un absolu, une essence, une ent\u00e9l\u00e9chie qui, dans l\u2019\u0153uvre, augmente la r\u00e9alit\u00e9, et ne se contente pas de la reproduire. C\u2019est plus que \u00e7a. Luciano Ventrone est le peintre de l\u2019hyperbole. Et de fait. ses \u0153uvres sont hyperboliques, exag\u00e9r\u00e9es, baroques, plut\u00f4t qu\u2019hyperr\u00e9alistes. Une grande illusion. \u00bb (Cit. Vittorio Sgarbi)<\/p>\n

\u00ab Le Caravage du vingti\u00e8me si\u00e8cle. \u00bb (cit Federico Zeri)<\/p>\n

 <\/p><\/blockquote>\n

Ces deux d\u00e9finitions suffiraient \u00e0 elles-seules pour d\u00e9crire le g\u00e9nie de ce grand artiste romain contemporain, mais je laisse encore la parole au plus grand critique d\u2019art de l\u2019apr\u00e8s-guerre<\/p>\n

\u00ab Ces tableaux doivent \u00eatre consid\u00e9r\u00e9s en tenant compte du contexte culturel, historique et artistique qui existait au moment de leur cr\u00e9ation, une p\u00e9riode de forte opposition \u2013 qui avait commenc\u00e9 au d\u00e9but des ann\u00e9es 1970 \u2013 au langage non figuratif, ou abstrait, qui \u00e9tait alors dominant en Italie et dans le monde occidental.<\/p>\n

Avec le d\u00e9clin de ces styles, la peinture figurative est r\u00e9apparue apr\u00e8s des d\u00e9cennies de silence pour avoir \u00e9t\u00e9 consid\u00e9r\u00e9e comme un refuge de la tradition acad\u00e9mique.<\/p>\n

\"Art
D\u00e9tail de la signature Luciano Ventrone Grand artiste italien contemporain<\/figcaption><\/figure>\n
\"L'\u0153uvre
Anamorphose Luciano Ventrone 1976<\/figcaption><\/figure>\n

Ce retour au figuratif est en train de se produire juste sous nos yeux et \u00e0 travers des moyens d\u2019expression multiples et vari\u00e9s. Le plus d\u00e9fini, le plus facile \u00e0 identifier, est l’hyperr\u00e9alisme, un courant qui prend souvent des formes presque violentes.<\/p>\n

Il serait trop long de parler ici du rapport entre le d\u00e9clin de l’abstraction (et des avant-gardes en g\u00e9n\u00e9ral) et la crise des courants politiques de gauche li\u00e9s \u00e0 l’Union sovi\u00e9tique, cependant nous pouvons certainement affirmer que l’id\u00e9alisme perdit toute valeur \u00e0 partir des ann\u00e9es 1970.<\/p>\n

Toutefois, il ne faut pas oublier qu\u2019il s\u2019agit de la seconde exp\u00e9rience de retour \u00e0 la peinture figurative dans l\u2019histoire europ\u00e9enne, apr\u00e8s une p\u00e9riode de formules abstraites, intellectuelles, antinaturalistes, arides et c\u00e9r\u00e9brales.<\/p>\n

Le retour \u00e0 la peinture figurative \u00e0 la fin du XVIe si\u00e8cle marque l\u2019apparition de la nature morte qui se d\u00e9veloppe comme genre distinct en Italie et dans les Pays-Bas.<\/p>\n

En Italie, tant \u00e0 Rome qu\u2019en Lombardie, la nature morte est apparue dans l\u2019entourage et dans l’\u0153uvre de ce g\u00e9nie supr\u00eame du r\u00e9alisme du XVIe si\u00e8cle qu\u2019est \u00e8 Michelangelo Merisi, dit Caravage. Aux Pays-Bas, les exemples les plus spectaculaires ont \u00e9t\u00e9 peints \u00e0 Anvers au temps de Pierre Paul Rubens dont l\u2019art a marqu\u00e9 la fin du mani\u00e9risme en Europe du Nord.<\/p>\n

Alors comment classer la peinture de Luciano Ventrone<\/strong> ?<\/p>\n

Ses racines s\u2019ancrent sans doute dans la p\u00e9riode, d\u00e9pass\u00e9e d\u00e9sormais, de l’hyperr\u00e9alisme lui-m\u00eame<\/strong> ; il est pourtant \u00e9vident que son \u0153uvre est tout \u00e0 fait capable de le d\u00e9passer, et donc, d\u2019en \u00e9viter les pi\u00e8ges.<\/p>\n

Ces natures mortes ne naissent pas directement de la r\u00e9alit\u00e9 objective, mais plut\u00f4t de sa red\u00e9couverte \u00e0 travers les m\u00e9canismes optiques de la photographie.<\/p>\n

\"L'\u0153uvre
Signature et titre de l’\u0153uvre personnellement authentifi\u00e9s par l’artiste Luciano Ventrone<\/figcaption><\/figure>\n

M\u00eame si on ne s\u2019en rend pas toujours compte, la perception visuelle est aujourd’hui modifi\u00e9e et conditionn\u00e9e par les produits de la reproduction technique et des m\u00e9dias. Notre vision du monde ext\u00e9rieur est filtr\u00e9e par la photographie, par l\u2019impression en couleur, par le cin\u00e9ma et la t\u00e9l\u00e9vision.<\/p>\n

Ce filtre n\u2019est ni aboli ni ignor\u00e9 dans l’\u0153uvre de Luciano Ventrone. Il est accentu\u00e9 au contraire, et aide dans la red\u00e9couverte de la r\u00e9alit\u00e9 de la nature sous tous ses aspects visuels et tactiles : vie, couleur, transparence, densit\u00e9.<\/p>\n

 <\/p>\n

Les sujets de ces compositions se d\u00e9tachent avec une force extraordinaire sur un fond qui rappelle souvent la profondeur infinie et sans lumi\u00e8re de l\u2019espace cosmique.<\/p>\n

Il s\u2019agit de tableaux qui nous demandent de rester en harmonie avec un environnement qui n\u2019est plus celui traditionnel, car il a \u00e9t\u00e9 modifi\u00e9 par la technologie \u00e0 cause du d\u00e9passement de ces limites spatiales o\u00f9 nous avons v\u00e9cu jusqu’\u00e0 pr\u00e9sent.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab L\u2019artiste semble chercher un absolu, une essence, une ent\u00e9l\u00e9chie qui, dans l\u2019\u0153uvre, augmente la r\u00e9alit\u00e9, et ne se contente […]<\/p>\n","protected":false},"author":9,"featured_media":98253,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1449],"tags":[5752],"class_list":["post-100336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine-fr","tag-art-italien"],"acf":[],"yoast_head":"\nLuciano Ventrone Le Caravage du XXe si\u00e8cle - Egidi MadeinItaly<\/title>\n<meta name=\"description\" content=\"Luciano Ventrone, un des plus c\u00e9l\u00e8bres peintres hyperr\u00e9alistes d\u00e9fini par le critique Federico Zeri comme le Caravage du XXe si\u00e8cle.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/egidimadeinitaly.com\/fr\/luciano-ventrone-le-caravage-du-xxe-siecle\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Luciano Ventrone Le Caravage du XXe si\u00e8cle\" \/>\n<meta property=\"og:description\" content=\"\u00ab L\u2019artiste semble chercher un absolu, une essence, une ent\u00e9l\u00e9chie qui, dans l\u2019\u0153uvre, augmente la r\u00e9alit\u00e9, et ne se contente pas de la reproduire. 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