Francesco Hayez<\/a> et Giuseppe Bertini.<\/span><\/p>\nLors de l’exposition de Brera en 1880, il pr\u00e9sente deux \u00e9tudes d’apr\u00e8s nature qui confirment sa vocation v\u00e9riste et lancent sa carri\u00e8re de peintre. Cette orientation se poursuit dans les expositions suivantes : \u00e0 l’exposition de Milan de 1881, il participe avec Tramonto (Coucher de soleil), Pioggia di foglie autunnali (Pluie de feuilles d’automne), I fiori del sagrestano (Les fleurs du sacristain), Bosco (For\u00eat), In processione (En procession) et Aprile (Avril).\u00a0<\/span><\/p>\n\u00c0 partir de 1881, Eugenio Spreafico<\/strong> participe \u00e0 toutes les expositions nationales, o\u00f9 ses villages et sc\u00e8nes d’affection ont un grand succ\u00e8s comme : Gioie (Joies), Dolori (Douleurs), Mamme contadine coi bimbi in collo in giorno di festa (M\u00e8res paysannes serrant leurs enfants dans les bras un jour de f\u00eate), Sola (Seule).<\/span><\/p>\n\u00c0 l’Exposition nationale des Beaux-Arts de Rome de 1883, il pr\u00e9sente Ritorno alla cascina (Retour au mas) et Cave di pietra (Carri\u00e8res de pierre).<\/span><\/p>\nEn 1895, Eugenio Spreafico participe \u00e0 la premi\u00e8re Exposition internationale d’art de la ville de Venise<\/strong> avec Vespro.<\/span><\/p>\n\u00c0 G\u00eanes, en 1895, il pr\u00e9sente une \u0153uvre de genre social : Dal lavoro.<\/span><\/p>\nEn 1897, Eugenio Spreafico<\/strong> pr\u00e9sente \u00e0 G\u00eanes : Stalla, Sull\u2019Alpe et Dal prato.<\/span><\/p>\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
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