{"id":117572,"date":"2024-01-30T15:02:32","date_gmt":"2024-01-30T14:02:32","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/?post_type=artisti&p=117572"},"modified":"2026-09-07T17:36:40","modified_gmt":"2026-09-07T16:36:40","slug":"achille-perilli","status":"publish","type":"artisti","link":"https:\/\/egidimadeinitaly.com\/fr\/artisti\/achille-perilli\/","title":{"rendered":"Achille Perilli"},"content":{"rendered":"

Achille Perilli na\u00eet \u00e0 Rome le 28 janvier 1927 et meurt \u00e0 Orvieto en 2021. Il fut l\u2019un des principaux protagonistes de l\u2019abstraction italienne de l\u2019apr\u00e8s-guerre et d\u00e9veloppa une recherche personnelle sur le signe, la couleur, l\u2019espace et la g\u00e9om\u00e9trie. Sa peinture \u00e9volua progressivement vers des formes instables, des perspectives impossibles et des structures volontairement contradictoires.<\/p>\n

Formation et Forma 1<\/h2>\n

Dans les ann\u00e9es 1940, Perilli \u00e9tudie \u00e0 Rome et fr\u00e9quente avec Piero Dorazio l\u2019atelier du peintre Aldo Bandinelli. Il poursuit ensuite des \u00e9tudes de lettres aupr\u00e8s de Lionello Venturi et pr\u00e9pare une th\u00e8se consacr\u00e9e \u00e0 la peinture m\u00e9taphysique de Giorgio de Chirico.<\/p>\n

En 1947, il participe \u00e0 la fondation de Forma 1<\/strong> avec Carla Accardi, Ugo Attardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Antonio Sanfilippo et Giulio Turcato. Le groupe d\u00e9fend un langage abstrait tout en revendiquant une position culturelle marxiste.<\/p>\n

Galerie de Rome<\/b><\/h2>\n

Il collabore avec Sottsass Jr \u00e0 l’organisation de la premi\u00e8re exposition d’art abstrait en Italie, qui se tient \u00e0 la Galerie de Rome<\/a> (1948).<\/span><\/p>\n

Art concret et abstraction europ\u00e9enne<\/h2>\n

En 1948, Perilli adh\u00e8re au Movimento Arte Concreta<\/strong> <\/a>et participe activement au d\u00e9bat sur l\u2019abstraction italienne de l\u2019apr\u00e8s-guerre.<\/p>\n

Lors de ses s\u00e9jours \u00e0 Paris, il entre en contact avec Jean Arp, Alberto Magnelli et Francis Picabia. Ces rencontres renforcent son int\u00e9r\u00eat pour les recherches abstraites europ\u00e9ennes.<\/p>\n

L\u2019Esperienza Moderna<\/h2>\n

En 1957, Perilli fonde avec Gastone Novelli la revue L\u2019Esperienza Moderna<\/strong>.<\/p>\n

La publication devient un lieu important de rencontre entre arts visuels, po\u00e9sie, litt\u00e9rature et exp\u00e9rimentation. Durant cette p\u00e9riode, Perilli d\u00e9veloppe \u00e9galement une importante production de gravures, d\u2019\u0153uvres sur papier et de livres d\u2019artiste.<\/p>\n

Signe, espace et g\u00e9om\u00e9trie irrationnelle<\/h2>\n

\u00c0 partir de la fin des ann\u00e9es 1950, Perilli \u00e9labore le langage visuel qui caract\u00e9risera durablement son \u0153uvre.<\/p>\n

Les formes g\u00e9om\u00e9triques perdent leur stabilit\u00e9 et les r\u00e8gles traditionnelles de la perspective sont volontairement perturb\u00e9es. Plans, lignes et volumes cr\u00e9ent ainsi des espaces impossibles et paradoxaux.<\/p>\n

Perilli refuse la g\u00e9om\u00e9trie comme syst\u00e8me purement rationnel et d\u00e9veloppe progressivement ce qu\u2019il appelle la g\u00e9om\u00e9trie irrationnelle<\/strong>.<\/p>\n

En 1971, il publie le Manifesto della Folle Immagine nello Spazio Immaginario<\/strong> et, en 1982, la Teoria dell\u2019irrazionale geometrico<\/strong>.<\/p>\n

Biennales, th\u00e9\u00e2tre et exp\u00e9rimentation<\/h2>\n

Perilli participe \u00e0 de nombreuses manifestations internationales et b\u00e9n\u00e9ficie de salles personnelles \u00e0 la Biennale de Venise en 1962 et 1968.<\/p>\n

Lors de l\u2019\u00e9dition contestataire de 1968, il ferme symboliquement sa salle en solidarit\u00e9 avec les protestations.<\/p>\n

Sa recherche s\u2019\u00e9tend \u00e9galement au th\u00e9\u00e2tre, \u00e0 la sc\u00e9nographie, \u00e0 la sculpture et au livre d\u2019artiste. En 1965, il r\u00e9alise notamment d\u00e9cors et costumes pour le ballet Mutazioni<\/em> \u00e0 la Scala de Milan.<\/p>\n

\n

Egidi MadeinItaly \u0153uvres en galerie<\/span><\/h2>\n
\"Achille
Achille Perilli, Systematic 1\u00b0, 1975, lithographie sur papier, exemplaire 58\/99. \u0152uvre disponible chez Egidi MadeinItaly.<\/figcaption><\/figure><\/blockquote>\n

Mus\u00e9es et collections<\/h2>\n

Les \u0153uvres d\u2019Achille Perilli sont conserv\u00e9es dans plusieurs grandes collections publiques.<\/p>\n

La Galleria Nazionale d\u2019Arte Moderna e Contemporanea de Rome<\/strong> conserve notamment E dietro infiniti spazi<\/em>, 1983-84.<\/p>\n

Les Mus\u00e9es du Vatican<\/strong> poss\u00e8dent Le d\u00e9sir d\u2019illumination<\/em>, appartenant \u00e0 la s\u00e9rie de ses peintures blanches monochromes.<\/p>\n

Le Museum of Modern Art de New York<\/strong> conserve \u00e9galement plusieurs \u0153uvres graphiques de Perilli, dont In the Heart of Things<\/em>, 1966.<\/p>\n

Perilli poursuivit sa recherche jusqu\u2019aux derni\u00e8res ann\u00e9es de sa vie et mourut \u00e0 Orvieto en 2021, \u00e0 l\u2019\u00e2ge de 94 ans.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Figure majeure de l\u2019abstraction italienne et cofondateur de Forma 1, connu pour ses g\u00e9om\u00e9tries irrationnelles, la couleur et le signe.<\/p>\n","protected":false},"featured_media":117571,"parent":0,"template":"","format":"standard","meta":{"_acf_changed":false},"tags":[6694],"class_list":["post-117572","artisti","type-artisti","status-publish","format-standard","has-post-thumbnail","hentry","tag-abstraction","tag-art-moderne","tag-lart-italien-du-xxe-siecle","tags-p-fr"],"acf":[],"yoast_head":"\nAchille Perilli peintre | Biographie et \u0153uvres<\/title>\n<meta name=\"description\" content=\"Achille Perilli, figure majeure de l\u2019abstraction italienne, cofondateur de Forma 1 et ma\u00eetre de la g\u00e9om\u00e9trie irrationnelle.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/egidimadeinitaly.com\/fr\/artisti\/achille-perilli\/\" \/>\n<meta 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