Mario Schifano (1934-1998)<\/strong> compte parmi les artistes les plus embl\u00e9matiques de l\u2019art italien de la seconde moiti\u00e9 du XXe si\u00e8cle. N\u00e9 \u00e0 Homs, en Libye alors sous administration italienne, il d\u00e9veloppe \u00e0 Rome un langage visuel profond\u00e9ment personnel, capable d\u2019associer peinture, photographie, t\u00e9l\u00e9vision et culture de masse.<\/p>\nSon \u0153uvre accompagne les profondes transformations de la soci\u00e9t\u00e9 italienne des ann\u00e9es 1960 et 1970 et occupe une place centrale dans le renouvellement de l\u2019image artistique de l\u2019apr\u00e8s-guerre.<\/p>\n
Les d\u00e9buts de Mario Schifano \u00e0 Rome<\/h2>\n
Fils d\u2019un arch\u00e9ologue, Mario Schifano passe son enfance en Libye avant de s\u2019installer \u00e0 Rome avec sa famille \u00e0 la fin de la Seconde Guerre mondiale.<\/p>\n
Il travaille quelque temps comme assistant restaurateur au Mus\u00e9e \u00e9trusque de la Villa Giulia. Cette premi\u00e8re proximit\u00e9 avec les vestiges du pass\u00e9 laisse cependant rapidement place \u00e0 une recherche r\u00e9solument tourn\u00e9e vers la peinture et les nouveaux langages visuels de son \u00e9poque.<\/p>\n
\u00c0 Rome, Schifano fr\u00e9quente le milieu artistique le plus exp\u00e9rimental et devient l\u2019un des protagonistes d\u2019une g\u00e9n\u00e9ration qui remet profond\u00e9ment en question les conventions de la peinture traditionnelle.<\/p>\n
La Salita, La Tartaruga et la sc\u00e8ne artistique romaine<\/h2>\n
Mario Schifano expose \u00e0 la galerie La Salita<\/strong> aux c\u00f4t\u00e9s de Franco Angeli, Tano Festa, Francesco Lo Savio et Giuseppe Uncini, artistes qui participent alors au profond renouvellement de l\u2019art italien.<\/p>\nEn 1960, il pr\u00e9sente sa premi\u00e8re exposition personnelle \u00e0 la galerie La Tartaruga<\/strong> \u00e0 Rome, lieu essentiel de l\u2019avant-garde artistique de ces ann\u00e9es.<\/p>\nSa reconnaissance d\u00e9passe rapidement les fronti\u00e8res italiennes. En 1962, il est invit\u00e9 \u00e0 New York et participe \u00e0 l\u2019exposition The New Realists<\/strong> \u00e0 la Sidney Janis Gallery, confrontation internationale d\u00e9cisive entre les nouvelles recherches europ\u00e9ennes et am\u00e9ricaines.<\/p>\nMario Schifano et la culture visuelle des ann\u00e9es 1960<\/h2>\n
Apr\u00e8s ses premi\u00e8res recherches monochromes, Schifano introduit dans sa peinture des signes issus de la publicit\u00e9, des m\u00e9dias et du paysage urbain contemporain.<\/p>\n
Logotypes, inscriptions, \u00e9crans, routes, paysages et fragments d\u2019images deviennent les \u00e9l\u00e9ments d\u2019un vocabulaire nouveau. Son rapport \u00e0 la culture Pop demeure cependant profond\u00e9ment personnel : l\u2019artiste ne se contente pas de reprendre les embl\u00e8mes de la soci\u00e9t\u00e9 de consommation, mais les transforme par la peinture, le geste et la couleur.<\/p>\n
Parmi ses cycles les plus connus figurent les Monocromi<\/strong>, les Paesaggi anemici<\/strong>, les Propagande<\/strong>, Ossigeno ossigeno<\/em>, Tutte stelle<\/em>, Oasi<\/em>, Compagni compagni<\/em> et Sintetico<\/em>.<\/p>\nPeinture, photographie, t\u00e9l\u00e9vision et cin\u00e9ma<\/h2>\n
L\u2019int\u00e9r\u00eat de Mario Schifano d\u00e9passe tr\u00e8s t\u00f4t les limites du tableau. Photographie, cin\u00e9ma, musique et t\u00e9l\u00e9vision deviennent autant de territoires d\u2019exp\u00e9rimentation.<\/p>\n
Cette attention port\u00e9e aux m\u00e9dias modernes est particuli\u00e8rement importante dans les \u0153uvres r\u00e9alis\u00e9es \u00e0 partir d\u2019images t\u00e9l\u00e9visuelles et de toiles \u00e9mulsionn\u00e9es<\/strong>, o\u00f9 la peinture dialogue directement avec la photographie et l\u2019\u00e9cran.<\/p>\nSchifano r\u00e9alise \u00e9galement le film exp\u00e9rimental Umano, non umano<\/em> et participe \u00e0 l\u2019aventure musicale des Stelle di Mario Schifano<\/strong>, r\u00e9v\u00e9lant une conception de l\u2019art ouverte aux diff\u00e9rentes formes de la culture contemporaine.<\/p>\nUne personnalit\u00e9 libre et anticonformiste<\/h3>\n
La personnalit\u00e9 de Schifano fut aussi singuli\u00e8re que son \u0153uvre. Sa vie publique, son rapport \u00e0 la musique, au cin\u00e9ma et \u00e0 la soci\u00e9t\u00e9 contemporaine contribuent \u00e0 faire de lui une figure embl\u00e9matique de la sc\u00e8ne culturelle romaine.<\/p>\n
Parmi les \u00e9pisodes rapport\u00e9s \u00e0 son sujet figure la r\u00e9alisation, pour Gianni et Marella Agnelli, d\u2019une composition murale comprenant des r\u00e9f\u00e9rences politiques explicites \u2014 manifestants, faucille et marteau et Petit Livre Rouge<\/em> \u2014 qui aurait ensuite \u00e9t\u00e9 effac\u00e9e en raison de son caract\u00e8re provocateur.<\/p>\nExpertise et estimation des \u0153uvres de Mario Schifano<\/h2>\n
Egidi MadeinItaly<\/strong>, galerie d\u2019art et d\u2019antiquit\u00e9s bas\u00e9e \u00e0 Rome, accompagne collectionneurs et propri\u00e9taires dans l\u2019\u00e9tude, l\u2019estimation et l\u2019expertise des \u0153uvres de Mario Schifano<\/strong>.<\/p>\nL\u2019analyse d\u2019une \u0153uvre de Schifano n\u00e9cessite une attention particuli\u00e8re \u00e0 la technique, au support, \u00e0 la provenance, aux inscriptions, aux \u00e9tiquettes, \u00e0 la documentation d\u2019archive et \u00e0 l\u2019histoire de l\u2019\u0153uvre.<\/p>\n
La galerie b\u00e9n\u00e9ficie d\u2019une longue exp\u00e9rience dans le march\u00e9 de l\u2019art et de comp\u00e9tences professionnelles reconnues dans le domaine de l\u2019expertise.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00ab Schifano est mort jeune, tout ce qu’il avait \u00e0 dire, il l’a d\u00e9vers\u00e9 avec une vitalit\u00e9 irr\u00e9fr\u00e9nable sur la toile. \u00bb a d\u00e9clar\u00e9 Vittorio Sgarbi.<\/p>\n","protected":false},"featured_media":111345,"parent":0,"template":"","format":"standard","meta":{"_acf_changed":false},"tags":[6692],"class_list":["post-111393","artisti","type-artisti","status-publish","format-standard","has-post-thumbnail","hentry","tag-pop-art","tags-s-fr"],"acf":[],"yoast_head":"\n
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