{"id":100234,"date":"2021-06-10T11:07:56","date_gmt":"2021-06-10T10:07:56","guid":{"rendered":"http:\/\/egidimadeinitaly.demonewlogic.it\/?post_type=artisti&p=100234"},"modified":"2025-04-28T13:19:35","modified_gmt":"2025-04-28T12:19:35","slug":"domenico-morelli","status":"publish","type":"artisti","link":"https:\/\/egidimadeinitaly.com\/fr\/artisti\/domenico-morelli\/","title":{"rendered":"Domenico Morelli"},"content":{"rendered":"

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N\u00e9 \u00e0 Naples le 8 juillet 1823, il a \u00e9t\u00e9 initi\u00e9 \u00e0 l\u2019art par un premier apprentissage aupr\u00e8s du peintre Ruocco, puis a fr\u00e9quent\u00e9 l\u2019Institut des Beaux-Arts, o\u00f9 ses professeurs \u00e9taient Costanzo Angelini et Camillo Guerra. L\u2019enseignement acad\u00e9mique ne l\u2019excluait cependant pas d\u2019un certain int\u00e9r\u00eat pour la r\u00e9alit\u00e9, vers laquelle le plus jeune se sentait attir\u00e9.
\nIl a donc lui aussi tent\u00e9, dans un essai scolaire, la voie d\u00e9j\u00e0 emprunt\u00e9e, dans l\u2019environnement, par Filippo Palizzi\u00a0(Vasto 1818 \u2013 Naples 1899)<\/p>\n

\u201cC\u2019\u00e9tait la premi\u00e8re fois que je m\u2019occupais ardemment d\u2019\u00e9tudier sur le vif, en harmonisant la lumi\u00e8re et la couleur du fond avec la figure. \u2026. Le souvenir des \u00e9tudes expos\u00e9es par Filippo Palizzi nous avertissait que, pour arriver \u00e0 les faire nous aussi, nous devions prendre un autre chemin<\/i>\u201c.<\/p><\/blockquote>\n

Pendant les soul\u00e8vements de 1948, il participe aux actions r\u00e9volutionnaires sur les barricades, est bless\u00e9 et \u00e9chappe de peu \u00e0 la mort.
\nRevenant \u00e0 l\u2019art, apr\u00e8s une s\u00e9rie d\u2019\u0153uvres dans lesquelles le souvenir de l\u2019Acad\u00e9mie est toujours vivant, m\u00eame si att\u00e9nu\u00e9 par le romantisme des sujets, il conna\u00eet son premier succ\u00e8s avec Gli Iconoclasti (1854) qui est bien accueilli \u00e0 l\u2019Exposition napolitaine de 1855, tant par le courant acad\u00e9mique que par les jeunes novateurs.
\nPersuad\u00e9, cependant, que son travail n\u2019a pas r\u00e9ellement contribu\u00e9 au renouveau, il tente de s\u2019approcher des courants artistiques les plus modernes, et voyage beaucoup en Italie et en Europe.<\/p>\n

\u00c0 Paris, il a le sentiment plus net de se lib\u00e9rer compl\u00e8tement de ses habitudes : \u201cJe supplie\u2026 de bien nettoyer mon atelier \u2013 demande-t-il \u00e0 ses amis de Naples \u2013 de br\u00fbler tous les papiers dessin\u00e9s et peints\u2026 Je ne veux rien trouver qui me rappelle ma mani\u00e8re pass\u00e9e<\/i>\u201c.<\/p><\/blockquote>\n

Dans cette recherche de renouvellement, cependant, il ne faillit jamais \u00e0 son principe qui attribue \u00e0 l\u2019art la fonction de \u201crepr\u00e9senter des figures et des choses non vues, mais imagin\u00e9es et vraies \u00e0 la fois\u201d : une affirmation li\u00e9e \u00e0 la po\u00e9tique romantique et qui pr\u00e9voit chez ceux qui l\u2019assument comme base de leur travail, une formation acad\u00e9mique.
\nAvec la maturit\u00e9, sa peinture s\u2019affine dans ses moyens et se dissout dans une plus grande spontan\u00e9it\u00e9. Il a \u00e9t\u00e9 not\u00e9 \u00e0 juste titre que sa peinture peut \u00eatre incluse dans \u201cune sorte de dramaturgie romantico-religieuse\u201d, tandis que la place qu\u2019il occupe dans l\u2019histoire de notre art du XIX\u00e8me si\u00e8cle est \u201c\u00e0 c\u00f4t\u00e9 des artistes d\u2019op\u00e9ra du XIX\u00e8me si\u00e8cle<\/i>\u201d (Somar\u00e9).
\nN\u00e9anmoins, son d\u00e9sir de renouveler l\u2019art \u00e9tait sinc\u00e8re, et il r\u00e9ussit \u00e0 \u00e9veiller le milieu napolitain \u00e0 la modernit\u00e9, qu\u2019il ressentait comme une recr\u00e9ation de la v\u00e9rit\u00e9 par la force de l\u2019imagination : une position qui, si d\u2019une part ne le lib\u00e9rait pas compl\u00e8tement de l\u2019acad\u00e9misme, d\u2019autre part r\u00e9ussissait \u00e0 le soustraire au r\u00e9alisme grossier qui faisait rage dans la seconde moiti\u00e9 du XIX\u00e8me si\u00e8cle.
\nIl est d\u00e9c\u00e9d\u00e9 \u00e0 Naples le 13 ao\u00fbt 1901.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Domenico Morelli (Naples 1823-1901) peintre napolitain. Consid\u00e9r\u00e9 un des repr\u00e9sentants importants du v\u00e9risme. <\/p>\n","protected":false},"featured_media":112392,"parent":0,"template":"","format":"standard","meta":{"_acf_changed":false},"tags":[6509],"class_list":["post-100234","artisti","type-artisti","status-publish","format-standard","has-post-thumbnail","hentry","tag-verisme","tags-m"],"acf":[],"yoast_head":"\nDomenico Morelli - Egidi MadeinItaly<\/title>\n<meta name=\"description\" content=\"Domenico Morelli (Naples 1823-1901) peintre napolitain. 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