{"id":94659,"date":"2020-12-03T14:41:22","date_gmt":"2020-12-03T13:41:22","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/ecomsite\/?p=94659"},"modified":"2025-10-30T13:40:53","modified_gmt":"2025-10-30T12:40:53","slug":"the-avant-gardes-and-giuseppe-capogrossi","status":"publish","type":"post","link":"https:\/\/egidimadeinitaly.com\/en\/the-avant-gardes-and-giuseppe-capogrossi\/","title":{"rendered":"The avant-gardes and Giuseppe Capogrossi"},"content":{"rendered":"

Giuseppe Capogrossi<\/a> Rome 1899-1972<\/p>\n

\"Giuseppe
Giuseppe Capogrossi Signature<\/i><\/figcaption><\/figure>\n

Important Italian painter of the 20th Century, the golden age of the international artistic avant-gardes.<\/p>\n

As most of his colleagues, he lives in Paris between 1927 and 1933.<\/b><\/p>\n

As you know Paris in those years was like Rome in 1700s: to be a great artist, you had to make the Grand Tour…
\nBack in Rome, he joins the movement of the Roman School<\/b>; we recall some names of that mythical current:\u00a0Corrado Cagli <\/b>(Ancona 1910 \u2013 Rome 1976),\u00a0Emanuele Cavalli<\/b> (Lucera 1904 \u2013 Florence 1981) e Fausto Pirandello<\/b>\u00a0(Rome 1899 \u2013 1975)\u00a0<\/span>son of Luigi the great writer.<\/p>\n

\"Biographies
Giuseppe Capogrossi and Henry Moore<\/i><\/figcaption><\/figure>\n

To this movement, often some art critics, associates the famous Scuola di via Cavour<\/b>, which takes its name from the first home of two great artists \u00a0\u00a0Mario Mafai <\/b>(Rome 1902 \u2013 1965) and his partner Antonietta Rapha\u00ebl Mafai<\/b> (Kaunas 1895 \u2013 Rome 1975).<\/span><\/p>\n

\"Biographies
Capogrossi and Antonietta Rapha\u00ebl Mafai<\/i><\/figcaption><\/figure>\n

Antonietta Raphael<\/a> Mafai (Kaunas 1895-Roma 1975).<\/p>\n

Returning to our Giuseppe Capogrossi, his first paintings, despite figuratives, were greatly affected by the atmospheres of the Avant-gardes<\/b>; however, an artist cannot stay in Paris in the 1930s without being deeply influenced.<\/p>\n

The environment frequented by our artist was animated by giants like\u00a0Pablo Picasso <\/b>(Malaga 1881 \u2013 Mougins 1973),\u00a0George Braque<\/b>\u00a0(Argenteuil 1882 \u2013 Paris 1963) and\u00a0Amedeo Modigliani<\/b>\u00a0(Livorno 1884 \u2013 Paris 1920).<\/span><\/p>\n

Capogrossi’s first portraits are strongly influenced by the atmosphere of Cubism<\/b>, instead his dancers and the nudes of the beginning are strongly affected by the movement called Constructivism<\/b>.<\/p>\n

But a talented artist, like Capogrossi was, is capable of developing his own poetic language.<\/b><\/p>\n

\"Biographies
Giuseppe Capogrossi
Portrait 1932<\/i><\/figcaption><\/figure>\n

Starting from 1945, he elaborated his own style with still life and portrait with great psychological introspection<\/b>.<\/p>\n

By 1950 his style was already defined; his works, are inspired by the collaboration with Corrado Cagli<\/strong> and his “cellular motifs<\/i>\u201d.<\/p>\n

His signs were already conceived as a language, a private code, \u00a0but accessible to everybody.<\/p>\n

Is in this period that Giuseppe Capogrossi elaborates the form that has become an icon of international modern art:<\/b> abstract figures facing each other, magnetizing themselves to form almost a magical oval.<\/p>\n

You can see the painting called Superficies 28<\/i>, year 1952 in \u00a0L\u00e9o Castelli Gallery, Ney York.<\/p>\n

In this years he actively participates in the creation of the<\/b> Origine group<\/b> in collaboration with the artists Mario Ballocco<\/b>\u00a0 (Milan 1913 – 2008), Alberto Burri<\/b> (Citt\u00e0 di Castello 1915 \u2013 Nice 1995) and Ettore Colla<\/b> (Parma 1896 \u2013 Rome 1968).<\/p>\n

\"Biographies
Giuseppe Capogrossi and Alberto Burri\u00a0<\/i><\/figcaption><\/figure>\n

Inevitably, his international consecration arrives<\/b>: in 1950 he was invited by Tapie to the V\u00e9h\u00e9mences Confront\u00e9es<\/i> exhibition at the Nina Dausset gallery in Paris, with artists who today represent the top of the world of art like<\/p>\n

\"Biographies
Giuseppe Capogrossi and Jackson Pollock in Paris<\/i><\/figcaption><\/figure>\n

Jackson Pollock<\/b> (Cody 1912 \u2013 Long Island 1956) and Willem De Kooning <\/b>(Rotterdam 1904 \u2013 New York 1997).<\/p>\n

A few years later he joined the Milanese Spatial Movement<\/b> together with, among others, Lucio Fontana <\/b>(Rosario 1899 \u2013 Comabbio 1968), Agostino Bonalumi<\/b> (Vimercate 1935 \u2013 Desio 2013) and\u00a0Roberto Crippa<\/b>\u00a0Monza 1921 \u2013 Bresso 1972)<\/p>\n

\"Biographies
Capogrossi e Bonalumi
Spatial Movement<\/i><\/figcaption><\/figure>\n

At the heart of his artistic work, in some of his paintings he manages to obtain an optical effect\u00a0<\/b>where, between the white and black mark, a red stripe emerges as the true radiant focus of the image.<\/p>\n

In the 60’s he produced some very rare works called Rilievi<\/b> \u00a0\u201cRelieves\u201d; one of the most important was presented in Venice in 1966 at the Cavallino Gallery.<\/p>\n

Through a precious work of superimposing various materials, including cork, he managed to give to these masterpieces a poetic two-dimensionality.<\/b><\/p>\n

Today we celebrate this great Roman artist of the 1900s.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Giuseppe Capogrossi Rome 1899-1972 Important Italian painter of the 20th Century, the golden age of the international artistic avant-gardes. 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