{"id":85833,"date":"2019-08-01T14:23:35","date_gmt":"2019-08-01T13:23:35","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/ecomsite\/hands\/"},"modified":"2024-12-16T10:36:41","modified_gmt":"2024-12-16T09:36:41","slug":"hands","status":"publish","type":"post","link":"https:\/\/egidimadeinitaly.com\/en\/hands\/","title":{"rendered":"Hands"},"content":{"rendered":"

Hands<\/h1>\n

“With your hands, you peel onions …” this is the famed first line in a popular Italian song by Zucchero.
\nWe do so many things with our hands…<\/b>
\nWe only realize how much when even a little accident stops us from using them.
\nAll you need is one bandaged hand to realize how much a finger, any finger, can do and how miraculous it is how they work.
\nSo, today, we’ll pay tribute to hands and their importance. <\/b>
\nWe’ll look at them in their most unexpected gestures, from the noble hands to humblest.
\nWhat is, indeed, more terrible than a betrayal?<\/p>\n

\"Hands
Betrayal<\/i><\/figcaption><\/figure>\n

The subject is easy to understand as the fish has long been a symbol of Christ.<\/b><\/p>\n

And what could be chicer than a raised pinkie?<\/p>\n

\"Hands
James Tissot
Artist from 1800<\/i><\/figcaption><\/figure>\n

James Tissot, a late 19th-century French painter<\/b> transplanted to London, irresistibly depicts the bourgeoisie, with its rituals, aspirations, and obsessions.
\nSince the origins of the bourgeoisie in Florence at the time of the Medici, it has always desperately sought to stand in the shoes of the nobility it was pushing out, borrowing its lifestyles, fashions, gestures, and so on.
\nBut like all things copied rather than innate, there is always that touch of falseness, of pretense.
\nFrancesco Trombadori<\/b>, an artist of the 20th-century Roman school, shows us the grace of a hand covering the privates.<\/p>\n

\"Hands
Francesco Trombadori
Roman School Artist<\/i><\/figcaption><\/figure>\n

Two beautiful hands that are sewing in the work of Angelo Caroselli<\/b> (Rome 1585\u20131652) become an allegory of Vanitas.<\/p>\n

\"Angelo
Vanitas
Angelo Caroselli<\/i><\/figcaption><\/figure>\n

And wouldn’t it be lovely to hear the music played by the hand portrayed in the painting attributed to the baroque painter<\/p>\n

\"Hands
Th\u00e9odore Van Thulden
Playing Hands<\/i><\/figcaption><\/figure>\n

We know little about these gesticulating\u00a0but we can guess much.<\/p>\n

\"Ancient
White-Gloved Hands<\/i><\/figcaption><\/figure>\n

The costumes suggest a discussion between a nobleman and a high prelate. We imagine a great deal was at stake, perhaps even the age-old battle a balance between State and Church.<\/b>
\nWe do know the story of Theseus, Arianna and her thread, depicted in a painting by an artist about whom we know only his ‘name piece’: the<\/p>\n

\"Old
Master of the Cassoni Campana<\/i><\/figcaption><\/figure>\n

We know that he was active in Florence in the 16th century but do not know his identity.
\nOf course, we couldn’t forget one of Pablo Picasso<\/b>‘s classic big hands,<\/p>\n

\"Modern
Pablo Picasso
Modern Art<\/i><\/figcaption><\/figure>\n

which reminds us of the myriad ways of observing and representing the world.
\nLet’s finish up with a piece by Pietro da Rimini<\/b> (1324\u20131338).
\nThe task of these hands may be the most sorrowful of all.<\/p>\n

\"Old
Pietro da Rimini Deposition<\/i><\/figcaption><\/figure>\n

Only the peerless grace of Italian Primitives can let us consider such a trial: taking Jesus’s lifeless body down from the cross.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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