{"id":109547,"date":"2022-06-01T14:39:39","date_gmt":"2022-06-01T13:39:39","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/ecomsite\/?p=109547"},"modified":"2025-10-07T15:40:56","modified_gmt":"2025-10-07T14:40:56","slug":"art-informel-artists","status":"publish","type":"post","link":"https:\/\/egidimadeinitaly.com\/en\/art-informel-artists\/","title":{"rendered":"Art informel Artists"},"content":{"rendered":"

Art informel artists<\/h1>\n

It was the French critic Michel Tapi\u00e9<\/strong> who introduced the term Informal art<\/strong> in 1951, during the exhibitions V\u00e9h\u00e9mences confront\u00e9es<\/em> (Galerie Nina Dausset, Paris) and Signifiants de l’informel<\/em> (Studio Faccheti, Paris).<\/p>\n

He sketched out the theory in 1952 in Un art autre<\/em>, particularly in relation to the p\u00e2t\u00e9 of Dubuffet<\/strong>, Fautrier<\/strong> and Wols<\/strong> before the term was coined and a mythical figure around which the exhibitions of this trend organised by Bryen and Mathieu from 1947-1948 were based.<\/p>\n

The approaches of these painters<\/a>, although different, share certain characteristics:<\/p>\n