{"id":122389,"date":"2025-03-19T07:10:28","date_gmt":"2025-03-19T06:10:28","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/artisti-in-vendita\/"},"modified":"2025-03-27T21:03:53","modified_gmt":"2025-03-27T20:03:53","slug":"artists-featured-in-our-gallery","status":"publish","type":"page","link":"https:\/\/egidimadeinitaly.com\/en\/artists-featured-in-our-gallery\/","title":{"rendered":"Artists featured in our gallery"},"content":{"rendered":"

[vc_row][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”117141″]Artists featured in our gallery[\/vc_custom_heading][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ uncode_shortcode_id=”170966″]Artists for sale in the gallery[\/vc_custom_heading][vc_empty_space empty_h=”2″][vc_column_text uncode_shortcode_id=”845387″]

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Vittorio Pisani biography<\/h4>\n

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Vittorio Pisani, Italian painter and illustrator born in Corfu and trained in Rome, famous for his more than 4,000 covers for La Tribuna illustrata and for his works of fascist propaganda.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Gaetano Martinez<\/h4>\n

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Gaetano Martinez was an Italian 20th-century sculptor active between Galatina and Rome. Discover his biography, style, works, exhibitions, and market interest.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Hans Hartung<\/h4>\n

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Hans Hartung, a pioneer of gestural abstractionism, revolutionized informal art with free and vital brushstrokes influenced by his wartime experience and cosmopolitan spirit.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Girolamo Gianni<\/h4>\n

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In 1866, Gianni discovered Malta on an exploratory trip, fascinated by its Mediterranean light and rugged landscapes. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Island Guizzo<\/h4>\n

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In 1952 Island Guizzo moved to Rome, where he lived most of his life and collaborated with masters such as Giorgio de Chirico, who praised his “strong temperament.”<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Mino Maccari<\/h4>\n

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Influenced by the Strapaese movement, Maccari is known for a caustic style with grotesque figures and social themes.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Leonor Fini<\/h4>\n

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Leonor Fini was a surrealist-inspired artist and costume designer known for her symbolic paintings and bold exploration of gender and identity<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Emilio Borsa<\/h4>\n

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Emilio Borsa, Italian painter and engraver, renowned for his landscapes of the Monza Park and awarded in Paris and Barcelona.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Assen Peikov<\/h4>\n

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Bulgarian sculptor who moved to Rome in 1938. He worked in the Via Margutta studio and collaborated with Marcantoni Ceramiche<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Biography of Salvador Dal\u00ed<\/h4>\n

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Salvador Dali (1904-1989) was a celebrated Spanish Surrealist artist known for his imaginative, detailed, and revolutionary images.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Lorenzo Viani<\/h4>\n

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Lorenzo Viani (1882-1936) was an Italian painter and engraver known for his social realism and his works depicting the lives of the lower classes.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Jean Georges Pasquet<\/h4>\n

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19th-century French landscape painter, master of Dordogne light and Atlantic coastal scenes.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Renato Marino Mazzacurati<\/h4>\n

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Trained in the Veneto region, he went to Rome at a very young age in 1926, coming into contact with the leading artists active in the capital.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Gian Carozzi<\/h4>\n

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Gian Carozzi is among the founders of the Group of Seven together with Vincenzo Frunzo.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Filippo de Pisis<\/h4>\n

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“With De Pisis, one could say that painting wants to invite us to witness its own destruction.”<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Arman Fernandez<\/h4>\n

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Inspired by Vincent van Gogh, Arman signed his early works with only his first name<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Renato Mambor<\/h4>\n

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Italian artist of the Scuola di Piazza del Popolo protagonist of the art scene from the late 1950s to the 2000s.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Moritz Ludwig von Schwind<\/h4>\n

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His works continue to captivate audiences for their ability to evoke distant, idealized worlds, making him an indispensable figure in 19th-century art history.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Sante Nucci<\/h4>\n

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Alongside his work as a decorator, he also created altarpieces and secular works. He was also a portraitist.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Francesco Fedeli know as Il Maggiotto<\/h4>\n

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Andrea Tessier provides a comprehensive list of works that the artist painted both for noble Venetian patrons and foreign ones. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Ezelino Briante<\/h4>\n

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His painting, characterized by a full-bodied brushstroke, focuses mainly on seascapes<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Ugo Gheduzzi<\/h4>\n

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A complete artist, he was able to express his talent both in the ephemeral world of theater and in the more intimate dimension of landscape.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Zaccagnini e Figli factory<\/h4>\n

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The company first focused on making majolica tiles and earthenware inspired by the historic models of the Della Robbia family.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Filiberto Petiti<\/h4>\n

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In Rome, in 1874 Petiti met two Piedmontese artists, Vittorio Benisson and Carlo Pittara, the latter of whom was part of the Rivara School<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Tom\u00e1s Mart\u00edn Rebollo<\/h4>\n

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In January 1912 he obtained a pension from the Granada Provincial Council to live in Rome and perfect his techniques and skills as a landscape painter.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Federico Faruffini<\/h4>\n

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“Too much of a painter to be a photographer, too much of a photographer to be a painter”.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Michele Cammarano<\/h4>\n

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In 1900 he returned permanently to Naples, where in 1902 he assumed the chair of painting at the Academy of Fine Arts, formerly held by Palizzi, remaining there until his death.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Orazio Amato<\/h4>\n

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In the house where Orazio Amato was born in Anticoli Corrado, among the ruins of the cellar that was one of Arturo Martini’s studios in the 1920s, was found Arturo Martini’s work “The Shepherd”, now preserved in the Vatican Museums.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Spreafico Eugenio<\/h4>\n

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The Lombard painter who was particularly interested in the theme of women\u2019s work, to which he dedicated several paintings.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Aldo Mazza<\/h4>\n

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He created some sixty posters with advertising or political subjects. These included the famous calendar for the Cooperative Union of Milan in 1917 and many theater bills and postcards.\u00a0<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Pio Joris<\/h4>\n

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He was also a professor, a member of various academies, and an honorary member of the watercolor associations of Brussels, The Hague, and Rome.\u00a0<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Lenci<\/h4>\n

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The Lenci factory of Turin, led by the artist couple Enrico Scavini and his wife Helen K\u00f6nig, began production in 1919, making felt dolls and other items for children.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Roberto Fontana<\/h4>\n

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He painted historical subjects, sacred subjects, landscapes, rural scenes in the Florentine area, Capri marinas, and lagoon views.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Costantino Barbella<\/h4>\n

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He was a Knight of the Order of Leopold II of Belgium, Honorary Professor of the Royal Institute of Fine Arts in Naples, and Honorary Academician of the Institute of Fine Arts of Bologna and other Academies.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Raffaello Sorbi<\/h4>\n

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In Florence, he occasionally frequented Caff\u00e8 Michelangiolo, a gathering place for Macchiaioli painters. He met the artists who influenced some of his works painted en plein air.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Ippolito Caffi<\/h4>\n

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He prefers subjects where there are special weather events, such as fog or night views illuminated by the moon or fireworks. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Vincenzo Volpe<\/h4>\n

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He was a student of Domenico Morelli, at the Academy of Fine Arts in Naples.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Ettore Cercone<\/h4>\n

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He traveled all around the world on behalf of the Aquarium of Naples, gathering important collections of fauna and flora.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Moya Dyring<\/h4>\n

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Her apartment in Paris became a home base to passing artists. The apartment became known as Chez Moya.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Achille Perilli<\/h4>\n

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He took part in the 34th Venice Biennale in 1968, which was the year of great protest, with a room dedicated to him but he closed the room in support of the protests underway.\u00a0\u00a0<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Guy Harloff<\/h4>\n

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In 1960 in Venice,Guy Harloff was among the participants in the event L’Enterrement de la Chose de Tinguely, at the Palazzo Contarini Corfu in Venice. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Francesco Vinea<\/h4>\n

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He became wealthy and spent much of his fortune on tapestries, carpets, precious leathers, musical instruments, furniture, weapons, and bronzes.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Silvestro Lega<\/h4>\n

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The subjects of his paintings, mainly women taked in intimate domestic settings, show a society that wanted to redeem itself.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Carlo Brancaccio<\/h4>\n

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Carlo Brancaccio specialized in landscape painting and especially sea landscapes<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Giovanni Omiccioli<\/h4>\n

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These works met with international success. His colors are especially reflective of his style though influenced by those of the Roman School.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Corrado Cagli<\/h4>\n

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Cagli was considered the leader of the new artistic generation in Rome. He inspired a group of young artists Mirko, Afro, Ziveri, Guttuso, and Fazzini <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Max Ingrand<\/h4>\n

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On the occasion of the 1961 International Furniture Exhibition, Max Ingrand erected the large luminous fountain in the garden of the Villa Reale in Monza<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Enrico Coleman<\/h4>\n

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He retained his English nationality, perhaps to protect himself against the encroachments of the Church-State, but he always remained in Rome, never going to England.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Nino Caff\u00e8<\/h4>\n

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His house was across from the Cathedral and from the window he could see seminarians, who became his young priests.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Camillo Innocenti<\/h4>\n

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He returned to North Africa in 1925 and took over the direction of the Cairo Academy of Fine Arts. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Roland Bierge<\/h4>\n

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Until his death, Roland Bierge exhibited regularly in France and abroad, garnering many awards and honors over the years.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Bertina Lopes<\/h4>\n

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Bertina Lopes’ biography testifies to the difficulties she encountered in gaining recognition for her work, particularly her abstract works.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Fausto Pirandello<\/h4>\n

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In the mid-1930s, Fausto Pirandello reached a new maturity as an artist. He married the tonalism of the Roman School with an entirely personal approach to the figure<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Ottone Rosai<\/h4>\n

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The last scene of Charlie Chaplin’s movie Modern Times was inspired by Ottone Rosai’s work The Engaged Couple.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Ruggero Panerai<\/h4>\n

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In Paris, he showed Mazzeppa again at the Universal Exhibition of 1889 where he was awarded a bronze medal.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Enrico Crespi<\/h4>\n

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Enrico Crespi painted portraits of Manzoni, Francesco Hayez, Vittorio Emanuele II, Queen Margherita, Princess Maria Gonzaga, Mrs. Cavajani, and the banker Weilschott.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Francesco Galante<\/h4>\n

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In our product catalog you will find Nude of a Seated Woman signed bottom left by Francesco Galante<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Tano Festa<\/h4>\n

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\u201cYesterday I arrived in London,\u201d Festa wrote, \u201cI went through Trafalgar Square where there’s the monument to Nelson. It made a huge impression on me.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Mario Tozzi<\/h4>\n

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He founded the Group of Seven, with Massimo Campigli, Giorgio de Chirico, Filippo de Pisis, Ren\u00e9 Paresce, Alberto Savinio, and Gino Severini.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Inoue Kozo<\/h4>\n

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Kozo Inoue Graduated in aesthetics and art history in 1960. He exhibited in Osaka in 1960, Tokyo in 1966, Paris in 1968. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Pietro Gaudenzi<\/h4>\n

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In Rome he spent time with Giulio Aristide Sartorio, Antonio Mancini, Armando Spadini, and Felice Carena, who gave him significant stimuli to help him improve.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Wifredo Lam<\/h4>\n

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Although he is best known for his paintings, Wifredo Lam also made sculptures, drawings, and prints.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Mario Schifano<\/h4>\n

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\u201cSchifano died young, and he dumped everything he had to say onto the canvas with irrepressible vitality,” Prof. Vittorio Sgarbi <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Josep Guinovart Bertran<\/h4>\n

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He used a wide range of materials, three-dimensional objects, and organic substances like eggshells, mud, and straw to create highly unconventional, usually large-scale works.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Frank Dobson<\/h4>\n

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An Arts Council memorial exhibition was held in 1966 and more recently a major retrospective was held at the Henry Moore Institute in Leeds in 1994.
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Renato Guttuso<\/h4>\n

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For about twenty years, Renato Guttuso’s artistic and sentimental life was united with that of Countess Marta Marzotto. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Antonio Achilli<\/h4>\n

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Antonio Achilli was a Roman artist whose deep sense of humility, religiosity and greatness lets him communicate deep, universal messages to this day.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Eugenio Citriniti<\/h4>\n

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Citriniti was a Calabrian painter and caricaturist founder and animator of the Mattia Preti Society,<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Riccardo Licata<\/h4>\n

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In 1961 he was appointed professor of mosaic at the Ecole Nationale de Paris, where he remained until 1995. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Antonio Donghi<\/h4>\n

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Antonio Donghi, painter of the Roman School and Magical Realism<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Elisabetta Mayo D\u2019Aloisio<\/h4>\n

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A great painter and sculptor, together with her husband Carlo D’Aloisio da Vasto, formed one of the most important artistic combinations of the Italian avant-garde movements of the 20th century.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Riccardo Gatti<\/h4>\n

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Gatti showed these works at the Futurist Exhibition, in October 1928 opened by Filippo Tommaso Marinetti in Faenza<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Mario Ceroli<\/h4>\n

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“I want to realise the thing. I use wood, because I like it, but it’s only a means”- Mario Ceroli<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Pietro Melandri<\/h4>\n

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He was said to have a tempestuous character and unstable temperament. Proud and resolute and made of steel like an old man from Emilio Romagna.\u00a0<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Emilio Scanavino<\/h4>\n

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Emilio Scanavino is one of the most prominent exponents of European Art Informel painting<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Carlo Zauli<\/h4>\n

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His first official accolade as an artist came in 1953 when he won the Faenza Prize in the 11th National Ceramic Competition. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Tito Corbella<\/h4>\n

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Tito Corbella painter, who worked in illustration, famed for his postcards and advertising posters.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Luigi Broggini<\/h4>\n

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He is the creator of the Supercortemaggiorefor the famous Italian gas company ENI, the “Six-legged dog,” presented in a special competition in 1952. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Guglielmo Pugi<\/h4>\n

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Guglielmo Pugi,\u00a0a prominent Italian artist. His studio was in\u00a0Florence\u00a0were he worked with his sons\u00a0Gino e Florenzo<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Antonietta Rapha\u00ebl<\/h4>\n

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Each sunset is a day in our past lives that will never return. And at every sunset I ask myself: “What good have you done today, Antoniette?” Antonietta Rapha\u00ebl<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Charles Napier Kennedy<\/h4>\n

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Charles Napier Kennedy was distinguished by his mythological painting.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Carlo Carr\u00e0<\/h4>\n

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The figure of Carlo Carr\u00e0, the journeys, the exhibitions, the encounters that changed the history of art.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Mauro Stampatori<\/h4>\n

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Mauro Stampatori (1948-2014) was a Roman painter and an architect.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Cavatorta<\/h4>\n

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The company\u00a0Cavatorta\u00a0was set up in\u00a0Rome\u00a0in 1869, and has remained a family-owned business specializing in the production of\u00a0exclusive furniture<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Ida Fu\u00e1<\/h4>\n

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Ida Fua, a 20th-century Italian Jewish artist, lived during the years of fascism and racial laws. From refuge in her lonely villa in Torno on Lake Como, she created intense sculptures that reflect her personal drama through blank stares and melancholy human profiles.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Fontana Arte<\/h4>\n

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At the suggestion of Gio Ponti, Luigi Fontana began to devote part of his activity to the creation of furniture and objets d’art.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Bongiovanni and Vaccaro<\/h4>\n

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The success of the Bongiovanni Vaccaro-workshop was a driving force for other craftsmen who, during the nineteenth Century, specialized in this particular subjects that were \u2018the only singular and heartfelt manifestation of art that Caltagirone ceramics offers us in the second half of the XIX century\u2019<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Werner Gilles<\/h4>\n

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Werner Gilles (1894-1961) was born in Rheydt near M\u00f6nchengladbach.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Domenico Morelli<\/h4>\n

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It was the first time I had ardently endeavoured to study from life harmonising the light and the colour of the background with the figure.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Claudio Verna<\/h4>\n

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As the founder of Analytical Painting, Claudio Verna developed an artistic approach that focuses on color, light, and visual perception.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Rudolf Swoboda the Younger<\/h4>\n

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Rudolf Swoboda the Younger was a great Viennese artist who lived between the 19th and 20th centuries.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Luciano Ventrone<\/h4>\n

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Luciano Ventrone the Caravaggio of the 20th century<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Achille Castiglioni<\/h4>\n

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Achille Castiglioni was an ambassador of Italian design in the world and won nine Compassi d’Oro awards. <\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Arthur Augustus Dixon<\/h4>\n

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Arthur Augustus Dixon was born in St. Pancras in 1872.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n

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Paolo Zoli<\/h4>\n

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Here, Paolo Zoli in 1919, he opened the\u00a0La Faience ceramic factory in Borgo Durbecco with Pietro Melandri, Dino Fabbri, and Amerigo Masotti.<\/p>\n <\/p>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n [\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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