{"id":114907,"date":"2023-12-13T17:10:40","date_gmt":"2023-12-13T16:10:40","guid":{"rendered":"https:\/\/egidimadeinitaly.com\/ecomsite\/?post_type=artisti&#038;p=114907"},"modified":"2025-03-02T08:53:06","modified_gmt":"2025-03-02T07:53:06","slug":"pino-pascali","status":"publish","type":"artisti","link":"https:\/\/egidimadeinitaly.com\/en\/artisti\/pino-pascali\/","title":{"rendered":"Pino Pascali"},"content":{"rendered":"<p><strong>Pino Pascali<\/strong> was born in Bari in 1935.<\/p>\n<p>Performer, graphic designer, set designer, and best known as a sculptor, he was the most famous 20th-century artist from Puglia.<\/p>\n<h2><strong>Origins<\/strong><\/h2>\n<p>He trained at the Academy of Fine Arts in Rome, where he gained attention as a set designer.<\/p>\n<p>After creating sketches, drawings, and shorts for several RAI TV broadcasts, he started painting in a neo-Realistic vein and then turned his attention to New Dada and <a href=\"https:\/\/egidimadeinitaly.com\/ecomsite\/en\/roy-lichtenstein-and-american-pop-art\/\">Pop Art<\/a>.<\/p>\n<h2><strong>Reliefs at the Galleria La Tartaruga\u00a0<\/strong><\/h2>\n<p>At <strong>La Tartaruga<\/strong> gallery, he designed an exhibition of his <strong>reliefs<\/strong>. The exhibition was not a collection of sculptures, but an artwork until itself that came into a relationship with visitors and the space around it.<\/p>\n<p>This situated it within a vein of work that started with Duchamp&#8217;s <em>Urinal<\/em> (1917) and through the <em>Totem<\/em>made in Schwitters&#8217; home in the mid-1930s and Lucio Fontana&#8217;s <em>Black Room<\/em> from 1949. It invites artists to shift their attention from the object in itself to the relationship it forms with the space around it and the viewer. This was the start of the practice of art installations.<\/p>\n<h2><strong>Installations<\/strong><\/h2>\n<p>Art installations are works conceived in relation to the space where they are set and their surroundings; they are artworks conceived as complete environments.<\/p>\n<figure id=\"attachment_111368\" aria-describedby=\"caption-attachment-111368\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-111368 size-medium\" src=\"https:\/\/egidimadeinitaly.com\/ecomsite\/wp-content\/uploads\/2022\/09\/Bachi-da-setola-scaled-e1675696669687-300x225.jpeg\" alt=\"Bachi da setola by Pino Pascali\" width=\"300\" height=\"225\" srcset=\"https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2022\/09\/Bachi-da-setola-scaled-e1675696669687-300x225.jpeg 300w, https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2022\/09\/Bachi-da-setola-scaled-e1675696669687-768x576.jpeg 768w, https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2022\/09\/Bachi-da-setola-scaled-e1675696669687-600x450.jpeg 600w, https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2022\/09\/Bachi-da-setola-scaled-e1675696669687.jpeg 900w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-111368\" class=\"wp-caption-text\">Bachi da setola Pino Pascali<\/figcaption><\/figure>\n<h3><strong>Pascali&#8217;s installations\u00a0<\/strong><\/h3>\n<p>Pino Pascali just took these experiments further, adding a distinct Italianness to the environments he shaped. Consisting of <strong>sculptures depicting the Colosseum<\/strong>, ruins of columns and a tuff wall, the space is a playful tribute to the history and culture of Rome rather than to the typical objects of mass media culture rendered &#8220;sacred&#8221; in American Pop Art.<\/p>\n<figure id=\"attachment_111365\" aria-describedby=\"caption-attachment-111365\" style=\"width: 225px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-111365 size-medium\" src=\"https:\/\/egidimadeinitaly.com\/ecomsite\/wp-content\/uploads\/2022\/09\/Ruderi-sul-prato-1964-scaled-e1675696640372-225x300.jpeg\" alt=\"Pino Pascali Ruderi sul prato \" width=\"225\" height=\"300\" srcset=\"https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2022\/09\/Ruderi-sul-prato-1964-scaled-e1675696640372-225x300.jpeg 225w, https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2022\/09\/Ruderi-sul-prato-1964-scaled-e1675696640372-600x800.jpeg 600w, https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2022\/09\/Ruderi-sul-prato-1964-scaled-e1675696640372.jpeg 768w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><figcaption id=\"caption-attachment-111365\" class=\"wp-caption-text\">Ruderi sul prato 1964 Pino Pascali<\/figcaption><\/figure>\n<p>He was helped by Plinio De Martiis who suggested he erase \u2018Souvenir of Rome\u2019 from his Colosseum as too similar to the words on the works of Lichtenstein.<\/p>\n<p>Pino Pascali worked in series, based on inventive cycles. This was one of his unique qualities; once he had used up an idea, he never returned to it.<\/p>\n<p>He created series of white animals, large simulacra on curved canvases: whales, dinosaurs, giraffes, whale tails, and sea waves.<\/p>\n<figure id=\"attachment_114909\" aria-describedby=\"caption-attachment-114909\" style=\"width: 225px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-114909 size-medium\" src=\"https:\/\/egidimadeinitaly.com\/ecomsite\/wp-content\/uploads\/2023\/04\/Ricostruzione-del-dinosauro1966-scaled-e1681322889944-225x300.jpg\" alt=\"Ricostruzione del dinosauro Pino Pascali Scuola di Piazza del Popolo\" width=\"225\" height=\"300\" srcset=\"https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2023\/04\/Ricostruzione-del-dinosauro1966-scaled-e1681322889944-225x300.jpg 225w, https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2023\/04\/Ricostruzione-del-dinosauro1966-scaled-e1681322889944-600x800.jpg 600w, https:\/\/egidimadeinitaly.com\/v25\/wp-content\/uploads\/2023\/04\/Ricostruzione-del-dinosauro1966-scaled-e1681322889944.jpg 675w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><figcaption id=\"caption-attachment-114909\" class=\"wp-caption-text\">Ricostruzione del dinosauro,1966<\/figcaption><\/figure>\n<h3><strong>Pino Pascali at the Venice Biennale<\/strong><\/h3>\n<p>Pino Pascali&#8217;s star rose in 1968 when Palma Bucarelli introduced him at the Venice Biennale with a room in the central pavilion.<\/p>\n<p>After his death in September 1968 in a motorcycle accident, he was awarded the International <strong>Prize for sculpture<\/strong>. It was the first time Biennale awarded a non-living artist.<\/p>\n<h2 style=\"text-align: center;\"><strong>You have a work by Pino Pascali and you want to sell it?<\/strong><\/h2>\n<p style=\"text-align: center;\">Call us at +39 3356585431 or send us a message on WhatsApp at +39 3356585431<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #ffcc00;\">YOU CAN TRUST US<\/span><\/strong><\/p>\n<p style=\"text-align: center;\">The highest valuations, expertise, and reliability<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pino Pascali&#8217;s star rose in 1968 when Palma Bucarelli introduced him at the Venice Biennale with a room in the central pavilion.<\/p>\n","protected":false},"featured_media":114915,"parent":0,"template":"","format":"standard","meta":{"_acf_changed":false},"tags":[6517],"class_list":["post-114907","artisti","type-artisti","status-publish","format-standard","has-post-thumbnail","hentry","tags-p"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.4) - 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